Animal Tank

Three balding brothers travel to Istanbul to get a hair transplant. Stuck with each other in a hotel far from home, their insecurities grow faster than their hair.

Rachid, a 21-year-old keen young man of Moroccan descent, has one goal: to find a job. He confidently applies for a job as dishwasher in a restaurant, which to him seems like a job anyone can do. But it soon turns out that all is not as simple as he imagined.

Under a scorching sun, Charlie is bored out of her mind and dreams of going to the seaside. But she's forced to guard a seedy motel with her cousin Jess, who's slumped in her deckchair. The two teenagers don't get along and bicker at every opportunity. On the radio, the monotone voice of a collapsology researcher predicts the imminent end of the world.

The Chinese restaurant is empty. The cage full of exotic birds is wide open. Two friends, Jason and Kevin, see this as an opportunity to catch and sell them. But catching these animals isn’t as simple as it seems.

1986 was a special year in the development of hip-hop. The Dutch TV documentary BIG FUN IN THE BIG TOWN captured this on film. And 15-year-old Pascal Garnier was immediately fascinated by New York’s young rap celebrities. Almost 40 years later, with the assistance of Bill Adler - the former publicist of the legendary Def Jam label - he tracked down the artists of that time. Roxanne Shanté, DMC and Def Jam’s creative director Cey Adams reminisce and also talk about their current lives. In his grandmother’s house, hip-hop icon LL Cool J talks about the meaning of “I Need Love”. Pure emotion - for viewers and everyone involved.

Three moody geraniums take control over their fate and plan their escape from the windowsill they spent their entire boring life on.

In an undefined setting, workers are doing a neverending series of monotonous tasks. Except for one person - the one in control of the cycle. In the minds of the workers, we hear flashes of the outside world. Is this liberty or is this a prison? What happens when the chain of work derails?

For months Eva Van Tongeren maintains a correspondence with the convicted and incarcerated paedophile Thomas. With a voice-over she reflects upon his thoughts and how their atrociousness resonates through her daily life. Despite her unchanging incomprehension she seeks the limits of her empathy and tries to find ways to deal with such a loaded subject. As it proves to be impossible to make a connection she looks for something that does bind them. This brings her to the American landscape surrounding Death Valley, a place Thomas always wanted to visit. The filmmaker sends him fragments of quiet landscapes and memories that will never be his.

The troubled Marko desperately tries to shake off his past, but after picking up a box of belongings from his ex-lover, He embarks on a surreal journey where the boundaries between delusion and reality are razor-thin, and where his daughter keeps appearing and disappearing. In a whirlwind pursuit, he comes face to face with an all-consuming raven. Will he manage to break free from the shadow of the raven and reconcile with his past?

Worn out by everyday routine, fifty-nine-year-old fishmonger Sabine decides to leave her fish shop and ventures into the world outside of her countryside village. Her quickest escape, the village school bus, brings her to the Museum of Fine Arts in Ghent, where a museum audio guide helps her find the elevation she unknowingly sought.

A woman has her daily routine. It is a very well-organized personal microcosm. But new arrivals upset this routine. As she sees this disruption as a personal attack, she withdraws into herself.

On the savannah, a group of strange animals play a game of hide-and-seek. They look like giraffes, but without necks. Suddenly, Gerda grows a long neck. After the initial shock, the group resume their game, but Gerda has a hard time hiding. When clouds appear and cover Gerda's neck like a scarf, Gerda loses sight of the group. An actual game of hide-and-seek begins…

While separating peanuts from their shells, the women in a collective in Agadez, Niger, talk to each other about the men passing by and the filmmaker being present. Focusing on their working hands, the camera reveals the harsh conditions of these women’s daily lives.

A semi-autobiographical story about borders and integration told through the metaphor of a plant. After realising her plant isn’t growing as it should, Olive leaves her home and goes on a quest to find new grounds to let her plant re-root. Soon after she embarks on the journey, she comes to realise she has to do a lot more before she can reach her goal, or at least that’s what she thinks...

What would you do if you could fly for one day? As 15 neighbors answer this question, we fly with them. Along the way, it becomes clear that fantasy is more necessary for some than others.