Patricia Films

Pierre used to be a top level football player but he quit. Now he is both a prestidigitator and a stool pigeon, benefiting from the protection of the chief inspector. In his dreams he is haunted by the horrors he saw (he took part in ?) during the Algerian War. Pierre lives with Marie, a young singer who performs at the same cabaret as him. Lately Marie has decided to start a career in the showbiz and Pierre is worried. Nothing alarming happens though, until a diabolical inspector, jealous of his superior, decides to manipulate Pierre. He also puts pressure on Poussin, Marie's pianist, and on Joseph, the night club's master of ceremony. What he wants is to compromise his superior and take his place. Will Pierre escape this ruthless trap?

A construction worker on a construction site in the Paris suburbs, Mehdi takes the bus to return home after work. Wishing to get off while the vehicle is stationary in a traffic jam, the driver refuses: while restarting, the bus hits the car in front of it. The bus driver attacks Mehdi whom he holds responsible for the incident, claiming that it is forbidden to “talk to the stagehand”. Mehdi is implicated in court and his lawyer tries to draw attention to the living conditions of immigrant workers.

Two young pretty Parisiennes sell their place and leave behind the capital and its pollutions to live a healthy and bucolic life in a small village in the south of France. Their arrival is an event.

Philippe Malaiseau, writer and historian, died before completing his study of Charles le Témeraire, so the publisher sent Marc Lancelot, Malaiseau's “negro”, to Fontbonne in the Midi. There are five women in Fontbonne: Julie, a ravishing and very particular secretary who seduces Marc, Malaiseau's old mother, Marianne, the distant widow, Christine, the cousin, and Melisa, an Italian friend. The four women are all related to Malaiseau. Did he die in a simple accident?

According to Jesus' order, Peter and his companions disperse two by two for their first apostolic mission.