Bill Viola Studio

"I Do Not Know What It Is that I Am Like" juxtaposes images of animals, both wild and domestic, and natural environments with human activity as it takes place in an apartment, and during a fire walking ceremony in Fiji. Documentary-style footage is combined with staged events. Despite the piece's lack of a traditional narrative, it bears some relationship to nature works. The segment features material from "Il Corpo Scuro (The dark body)" - animals and natural environments are seen up close and at a distance.

The film is a five-part projection-based installation, which addresses the complexity of human existence through the themes of individuality, society, death and rebirth. Each video is projected directly onto the wall of the exhibition space, just as paint from a fresco adheres to the surface of a plaster wall.

The ascent of the soul in the space after death as it is awakened and drawn up in a backwards flowing waterfall.

A small crowd of people are gathered in wait when they are suddenly struck by a massive onslaught of water.

With a title referring to Japanese folklore, wherein things done on the first day of a new year are significant, the film - an ardent dream entirely shot in Japan - stands as a spiritual allegory equating light and dark with life and death.

This haunting installment contains a solitary wood chair with headphones attached, facing a television monitor. A man (the artist himself), looking visibly fatigued, appears on the screen, sitting in his own chair. Here, the artist compels viewers into an intimate relationship: they sit at eye level with him, listening to the sound of his breathing through the headphones. —Guggenheim Bilbao Museoa.

A series of shots depicting "America" are laid over a classic Gregorian Chant recreated through the distortion of a woman's screams.