Cinétévé

Creator of absolute freedom, David Lynch constructed his work as an enigma to be deciphered between dream and reality. A cult director from his first films ("Eraserhead", "Elephant Man", "Blue Velvet"), Lynch forever changed the world of television with his series "Twin Peaks", before tackling the lies of Hollywood in "Mulholland Drive". Tracing the life of the most influential filmmaker of his generation, this documentary explores the hidden meaning of a relentlessly consistent filmography and delves beneath the dark, teeming surface of the American Dream.

A pioneering post-war female film director, an instigator of the New Wave who was honored by Hollywood in her own lifetime, Agnès Varda has become a source of inspiration for a whole new generation of young filmmakers. With movies like Cléo de 5 à 7, Le Bonheur, Sans toit ni loi, Les Glaneurs et la glaneuse, she created a quirky, open to the world, sensitive to the disenfranchised, often silly body of work. Always one finger on the pulse, she shook everything up, including cinema itself which she refused to constrict to pure fiction or long-form films.

Mina was adopted from Ethiopia by Judith and Lionel, a married couple who already were the parents of a biological daughter. Though she was abandoned by her mother as a baby, it didn't really seem to have much of an impact on her. But when Mina turns thirteen, an identity crisis takes a hold of the girl. She is caught between two worlds - and feels nowhere at home. Mina snaps and descends into a destructive downwards spiral. Jealous of her non-adopted sister, she starts acting out, pitting her father and mother against each other and thereby dividing the entire family. Judith and Lionel don't know what to do. Will their parental love and kindness be enough to heal Mina's wounds?

Features interviews with two-time Palme d'Or winner Michael Haneke and his key collaborators, alongside excerpts from his films.

First published in 1898, H.G. Wells’s The War of the Worlds was a veritable literary and cultural revolution. It laid the foundations for modern sci-fi by telling the first- ever story of an alien invasion. A political and moral fable, the novel uses science fiction as a tool to raise our awareness and alert the modern world to the dangers and risks inherent in industrial, scientific and technological progress. It is high time to rediscover this seminal book.

40 international directors were asked to make a short film using the original Cinematographe invented by the Lumière Brothers, working under conditions similar to those of 1895. There were three rules: (1) The film could be no longer than 52 seconds, (2) no synchronized sound was permitted, and (3) no more than three takes.

Exclusively created with period engravings, this animated feature explores the Franco-Prussian War of 1870 and the ensuing Paris Commune revolution in 1871.

Edvard Munch's The Scream has been universally reproduced. The famous face distorted by fear has so much struck the human imagination that it is now used as an emoji to express anguish. But how well do you know this iconic painting? Munch's demons and ghosts escape from the canvas to plunge you into the sources of the master's inspiration - and pass on some interesting secrets.

Hours and historical meetings, Pierre Assouline has composed an anthology of the best extracts presented in the form of a primer, which he had commented on by a surprised Bernard Pivot.

In a totalitarian future, in a nightmare metropolis, inhabited only by criminals and police, Erik Lonnrot, a gifted detective, investigates a series of strange murders and disappearances that seem to implicate a insane crime lord. (Re-released in 1996 as a feature film, 86 minutes.)

A genius inventor of forms, Alain Resnais is one of the fathers of cinematic modernity. This portrait, rich in archives, looks back on the career of a discreet non-conformist, in perpetual search of renewal to fight against anxiety.

Star at 17 years with the series of Sissi, Romy Schneider leaves Austria and glory for the love of Alain Delon. From Luchino Visconti to Otto Preminger, through Zulawski and Costa Gravas, she turned with the greatest. The directors interview those who knew her, who loved her, go back to the filming locations, make archive images speak for themselves... and try to detect the part of mystery that Romy Schneider conceals for ever.

In 1984, climbing virtuoso Patrick Berhault gave a night climbing demonstration with Nico Ivaldo in Finale Ligure, Italy. This close and spontaneous connection with the audience, the silence followed by the cheers of the crowd with each move, amplified the climbers' sensations, creating a powerful feeling that gave them a state of flow. This idea of ​​climbing dance took root and culminated in the film "Star Climber," composed of parodic vignettes retracing the history of climbing through the ages. Berhault, by turns a Cro-Magnon man, a Zulu in a trance, a troubadour climber accompanied on the flute by Catherine Destivelle, a Buster Keaton trying to climb his beautiful woman's wall, as Blues Brothers, Berhault and Robert Cortijo push the dial on rock 'n' roll 10 meters above the ground solo on the facade of a building at the crossroads of West Side Story and a Terry Gilliam film.

Catherine Deneuve couldn’t care less about being a celebrity, but fame made her an icon long ago and she occupies a special place in our imagination. The star is not one to let others get too close, but when she gives you her confidence, she keeps her word. If Deneuve’s career covers a half-century of cinema, it also bears witness to the force of a generation that experienced the deepest transformation of mores. This portrait reflects her entirely. The story of a mystery and an adventure.

A old red riding hood, badly crippled after killing a monster many years ago, comes up with a sinister plan to dance again.

Hired to oversee the security of a superstore, Pierre soon discovers a dark secret and becomes a threat to the system he helped create.

In eight films, Jacques Audiard has renewed French cinema, without alienating either the critics or the success. It is only at the age of 42 that he starts directing, after having been an editor and a scriptwriter. In 1994, he directed his first film, "Regarde les hommes tomber", whose conflicting shooting was an ordeal for this misanthropic beginner. It was with "Sur mes lèvres", in 2001, that he forged his cinematographic language: contained lyricism, deliberate imperfection of images, ellipses plunging the audience into a maelstrom of sensations. With each of his films, Jacques Audiard intends to renew himself, at the cost of challenges and doubts always more vivid.