Studio D (NFB)

Women have always sought ways to terminate unwanted pregnancies, despite powerful patriarchal structures and systems working against them. This film provides a historical overview of how church, state and the medical establishment have determined policies concerning abortion. From this cross-cultural survey--filmed in Ireland, Japan, Thailand, Peru, Colombia, and Canada--emerges one reality: only a small percentage of the world's women has access to safe, legal operations.

Five women are black belts in karate, which to them is more than self-defense, it's a philosophy for life.

The nation, the country, where do we belong in it? In this film through conversation and poetry two poets meet for the telling and the listening. Adrienne Rich is a distinguished American feminist poet, and author of numerous books of prose, poetry, essays and speeches. Dionne Brand is a Trinidadian-Canadian femininst poet, writer and filmmaker. Incisive and inquisitive, the two women meet to discuss the world as they each see it. Claiming any subject, they talk about events as they see them, analytic, contemplative, honest and open ended. Topics include political issues, feminism, racism and lesbianism, among others. The viewer is invited into the exchange by the familiar images of two women talking intimately around a kitchen table, in corridors, or casually outdoors in the United States, Tobago and Canada. Shot in black and white and in colour, the conversation takes us over the territories of their poetry.

Sexually abused by her father from infancy to early adolescence, Shirley Turcotte is now in her thirties and has succeeded in building a rich and full life. To further reconcile her past and present, she is returning to the people and places of her childhood. Her mother, brothers and sister, all of whom were also caught up in the cycle of family violence, openly share their thoughts. Their frank disclosures will encourage survivors of incest to break through the silence and betrayal to recover and develop a sense of self-worth and dignity.

The history of nuns mirrors the history of all women -- in what we are taught about the past, women are almost invisible. Although today's one million nuns outnumber priests two to one, they must struggle to be heard by the all-male Roman Catholic hierarchy from which they are excluded. Behind the Veil: Nuns is the first film ever to record from a global perspective the turbulent history and remarkable achievements of women in religion, from pre-Christian Celtic communities to the radical sisters of the 1980s. Contemporary nuns of strength, dignity and commitment speak of their lives and of their predecessors.

This short film recreates the experience of Sylvie, a battered woman who seeks shelter in a Montréal transition house. Faced with the threat of violence, loneliness, the lack of financial resources or information about services, the victim is often understandably reluctant to seek help. Emphasizing the importance for women of speaking out, the film also points out the role of the transition house in putting victims of abuse in touch with appropriate legal and social services.

This short documentary looks at how the community of London, Ontario, has implemented a plan to address the issue of domestic violence. These efforts, spearheaded by police, lawyers, doctors, transition house staff, women's groups, and social services agencies have turned London into a rare model community. There, The London Battered Women's Advocacy Clinic and "Changing Ways," a therapy program for men who batter, contribute to the city's innovative attempt to break the cycle of violence. Moving On is part of the The Next Step, a 3-film series about the services needed by and available to battered women.

A rich and little-known part of Canadian history unfolds through the stories of the first Chinese women to come to Canada and of subsequent generations of Chinese Canadian women. It is an amazing tale of courageous women who left behind their families, knowing they would never see them again and of girls who were shipped off to the New World to marry men they had never met. These are the women who fought against the many forms of racism they faced in Canada while, at the same time, challenging sexism within their own communities. By passing on language, culture, and values to their children, these women defined what it means to be Chinese Canadian. Beautiful old photographs from family albums, the recollections of seven women who grew up in Canada in the first half of the 20th century, and the memories of narrator and director, Dora Nipp, whose grandfather came to Canada in 1881 to build the railway, create a remarkable story of stunning impact.