Atnine Film

A couple's hospital tryst is caught on X-Ray. Thinking she and her boyfriend are the ones in the compromising radiograph, nurse Yoon-young goes in the next day to resign only to find that everyone has called in sick except the head doctor.

Four friends on a trip rescue a woman who is being beaten by a man, only to be pursued by the police. One of them lapses into unconsciousness following an ensuing car accident and the other three are arrested on suspicion of murder.

A bullied girl becomes friends with a new kid during a break, but when classes start up again, their new friendship is nearly ruined when the bullying continues.

Yong-ju, Gi-woong and Gi-taek used to be best friends in middle school, but in high school, Gi-woong becomes a member of the gang that bullies Gi-taek. As Yong-ju tries to fix this broken relationship, he realizes his special feeling toward Gi-woong.

Six months ago the son of the married couple drowned. The couple, together with the teenager that their son saved, begin a journey to cope with the loss.

Jong-bun, in her eighties, is one of the last surviving 'Comfort Women' victims forced into sexual slavery by the Japanese Army during World War II. Back in 1944, at the end of the Japanese occupation in Korea, Jong-bun was a poor but energetic girl while Young-ae was the smart rich clerk's daughter. One day, Jong-bun gets abducted and finds herself on a train for Manchuria. To her surprise, she also finds Young-ae on the train facing the same fate to become a comfort woman. Jong-bun and Young-ae help each other go through the living hell and as the war comes to an end, they finally escape from the comfort women camp, only to face two different paths of life. Decades later, Jong-bun helps out a teenaged girl who is disoriented in life, reminded of her own painful past.

Based on Lim Solah's novel of the same title, Snowball focuses on the friendship between three girls who are united by frustration with the mundane routine of high school life and its associated authority figures, only for their bond to be severed by otherwise different natures.

Sohyun, a runaway, is left alone after her close friend Jungho disappears. By accident, she gets to know a transgender woman named Jane. She joins Jane and her close-knit community of runaways, who are as comforting and loving as a real family. Sohyun feels happy and at peace. But her happiness does not last long. There is something wrong with Jane’s health.

Four different women discuss life, love and marriage with people from their past and present during the course of one day at a café in Seoul.

A life documentary of a woman who was shunned for being possessed by spirits as a girl, oppressed for following superstitions as an adult, how she grows to be a great shaman who embraces the pain of all people, and how she comes to be honored as a national treasure of Korea with her outstanding artistic talents throughout Korea's tumultuous history.

Angdu is no ordinary boy. Indeed, in a past life he was a venerated Buddhist master. His village already treats him like a saint as a result. The village doctor, who has taken the boy under his wing, prepares him to be able to pass on his wisdom. Alas, Tibet, Angdu’s former homeland and the centre of his faith, lies far away from his current home in the highlands of Northern India. On top of that, the conflict between China and Tibet makes the prospect of a trip there even more daunting. Undeterred by these harsh facts, the duo set off for their destination on foot, accompanied by questions of friendship and the nature of life. With its narrative approach steeped in a serene sense of concentration, this documentary film, composed over a period of eight years, stands as a fundamental experience in its own right.

A mother goes to extreme measures against her daughter's attacker after after feeling that the local law enforcement have failed her.

Ha-neul, who is unemployed, moves to his best friend Bong-sik's house after breaking up with his lover. Together, they face the woes of love and relationships.

Hyo-jeong, a 69-year-old woman, is raped—but few people, including the police, are willing to believe what she says.

“To me films are an imaginary world where emotion comes into play.” YOO Teo traveled to Belgium to make his movie but he ended up being locked down due to COVID-19. This film is about his 15-days of quarantine in Antwerp Hotel fighting for his movie and loneliness. He also depicted his most personal story. This is the debut film of YOO Teo both as the star and the director.

A documentary that scientifically analyses and tracks down the route of the Sewol Ferry that sank on the 16th of April in 2014 using its AIS to discover the cause of the unconfirmed sinking.

A seasoned actor and a pop star are cast as leads in a gay romantic play. As the actor teaches the pop star method acting, the line between fiction and reality is blurred and they become drawn to each other.

The title Good Light, Good Air is oddly paradoxical. Keenly working at the point where his artistic identity and persistent attention on modern Korean history meet, director Im in this film focused on where the history of oppression and struggle intersect between Gwangju and Buenos Aires. In both cities, a great number of people who fought against the dictatorship were slaughtered and disappeared. The people of both societies still live with that trauma. When the testimonies of the victims of the two cities cross over, the film gives us chills as the eerie history of the two is very similar. Through Good Light, Good Air, director Im asks us how we will remember the past from where we stand right now.

On September 4, 1984, democracy movement leader Kim Jong Tae is arrested and taken to an infamous interrogation facility in Namyeong-dong. For the next 22 days, he would be cruelly and continuously tortured in all manners by interrogators intent on forcing him to confess to communist collaboration.

After the film screening, five people hold a meeting. Director Jeong asserts that a film should move the heart. Actress Soo-yeon emphasizes on the message of the film, Film critic Tony just discusses about the current trend of Korean cinema. Tomiyama cannot fully express her thoughts because of the language barrier. And, the head of jury, Sung-ki can’t control the situation. Will this jury reach an agreement against all odds? A satire for those who make, watch, and criticize films is about to begin.