Kijora Film

Poland, 1970. When popular protests erupt in the streets due to rising prices, the communist government organizes a crisis team. Soon after, the police use their truncheons and then their firearms. The story of a rebellion from the point of view of the oppressors.

Three separate stories – a mother, her teenage daughter, and a police officer – converge thanks to one event: the titular incident, wherein a dog is injured.

Through the window, Dawid watches a new neighbour move into a house next door. The girl is more or less his age. She's wearing a strange skirt. Later on, Dawid finds out it's a Hawaiian hula skirt and the girl's name is Monika. Most probably, he also learns why Monika's grandma has gone away to Hawaii.

Leopold Trepper, a former Red Army officer and hero of the anti-Nazi resistance, faces a Kafkaesque struggle in 1970s Poland as the demons of anti-Semitism resurface. Stripped of his job and under constant surveillance, Trepper leaves with no hope of return.

The story of what daily life was like in Poland under communism: private conversations, cruel interrogations, recruitment attempts, recorded and filmed with hidden devices; of how the secret services spied on every activity of ordinary citizens: nothing escaped the brutal system of control developed by the Soviets in the name of freedom.

A follow up to the 2009 sketch comedy referencing urban legends from the Ceausescu regime, the film is expected to expand to accommodate stories from different ex-communist Eastern European countries, including Poland.

A thought-provoking documentary that explores the relationship between man and nature in the Polish Tatras Mountains, focusing on mass tourism at the site known as the ‘Eye of the Sea’, one of the most beautiful lakes in Europe.

The film is based on real events – in 2005 Viktor Kalivoda murdered 3 random strollers he chanced upon in the forests in Czechia. The case received much attention for its lack of motive. After his arrest, Kalivoda confessed, but did not reveal his motive. The film will closely observe one year in his life leading up to the murders and his arrest.

Beata Parkanová, the filmmaker behind Moments, returns to Karlovy Vary with an exceptionally vivid portrait of the family of notary Václav Vojíř, a small-town moral authority, and his selfless wife Věra. This masterfully told and highly original intimate drama, whose protagonists undergo a difficult ordeal in the summer of 1968, is reinforced by finely wrought, exquisite performances from Martin Finger and Gabriela Mikulková.

A middle-class Polish make a trip across the Balkans, heading for a refugee camp on the Macedonian-Greek border.

Poland, 1982, the politically heated days of communist martial law. Two coal miner brothers react differently to the oppressive police state. While Tadek prefers to retreat into neutrality, Janek chooses active engagement in the democratic underground. When Janek asks Tadek to store some anti-government leaflets on the second anniversary of Solidarity's 1980 strikes, he triggers a spiral of events that will have everyone's allegiances and characters severely tested.

A metropolitan woman on a train, lost in her thoughts, is forced by an intense experience to break out of her bubble and connect with another passenger, despite seemingly having nothing in common.

The residents of a village near Opole are celebrating Easter Sunday. People, as well as horses, have gathered near the church. It is a traditional component of Easter celebrations, which include prayers, a horse ride around the households nearby and fervent singing under the influence of alcohol. Enigmatic editing and black and white photographs reflect the dignified atmosphere of the holiday in which the sacred is combined with the profane in a bizarre chase. All this happens under the patronage of the figurine of Resurrected Christ. The holiday of Krzyżoki and its celebrations make a typical southern Polish tradition.

Nelsa and her son Vladimir, poor residents of a port town in Cuba, are facing important decisions just now. So far, the thirty-year-old with Down syndrome has been a source of great distress for his mother. Now, confronted with her illness and disability, he has to take over control at home or these two people who are the closest to each other will have to part. The film captures the slow change of relations between the characters.

A group of actors centered around one charismatic director are getting ready to compete for work on a new film. They all want to get closer to him and wil do anything to make it work.

Empty shelves, trading cards and chickens sold in a shoe store. This is Polish everyday life from over four decades ago. Although the starting point is the moment of introduction of martial law, thanks to selected recordings we go back in time by 16 months and 12 days in order to better understand the mood at that time and the complexity of the processes that led to the decision of December 13, 1981.

A seemingly normal afternoon in the city gets disrupted as passers-by are temporarily unhinged from their daily business. A man lying on the pavement becomes a problem not only for the local tenants but also medical services and the police.

Pole, who are you? This film collage that combines archival and contemporary materials, documentary and staged pictures, press reports, social announcements, sale offers and speech excerpts is an attempt to answer this question. Referring to the Polish tradition of a creative documentary in the style of Wojciech Wiszniewski, the film presents various manifestations of Polishness: patriotic and religious rituals, everyday traditions as well as characteristic landscapes or intimate memories from childhood.

A short documentary shaped by sensitivity and care, it moves through the contours of female anxiety. Black-and-white archival imagery and a reflective voice-over unfold in a poetic, lyrical rhythm, transforming personal testimonies into a shared emotional landscape.