Halluci-Nation

Follows the birth of a political and social movement from the inside, with Péter Magyar as its face. For more than a year, the filmmakers accompanied him on country tours, campaign sites, and background conversations, as well as being present in those quiet, intimate moments – many times in his own home – that have remained hidden from the public until now.

Hollywood, 1942. The US government pressures Hungarian-born film director Michael Curtiz, who is about to finish shooting Casablanca, to accentuate the film's propaganda message in order to sway public opinion in favor of the country's intervention in the European war.