Kaspar is a young filmmaker willing to develop his projects in cinema. He passes his time drawing, writing and making up his own imaginary world, that day by day seems to be getting more and more real. He shares his thoughts with Helix, a young photographer interested in death and the capture of images, with Schulz, a doll maker who is obsessed by the theories about creation and dummies, and with Bertolt, a fellow filmmaker that never got over the failure of his first movie, destroyed by a short-sighted production team.

Galgenlieder are, as Morgenstern himself says in a comment, the imaginary songs of a group of hung people, dangling from the gallows hill, a strategic place that allows them to see the truths that normally a distracted and "living" viewer wouldn't.