Super 8mm Studio

Joko Kemala is quit school and works as porter on the shop building to support his daily living cost and his blind father. There he meets Totok Janoko the owner, who is very powerful and exploits him sexually.

In 1927 colonial Indonesia, a young woman trapped as a Dutch man's concubine fights for dignity in a world that sees her as nothing more than property.

Mbah Sri (95 years old) is looking for the grave of her husband, who has been missing for decades, with one simple aim: she wants to rest in peace beside her husband’s grave.

This omnibus film tell six stories about the terror of six Indonesian ghosts: Ustaz (Kiky Armando) who is tested by Pocong terror; A woman (Putri Ayudya) is visited by Bajang after abortion; The trick of Sundel Bolong against a pregnant woman (Marya Supraba); Investigation of reporter (Gandhi Fernando) about the mysterious Begu Ganjang legend; A woman (Dea Ananda) who finds her father keeping Genderuwo; and a girl (Btari Cinta) who performs the forbidden dance caller Lehak, a damned creature from legend.

It tells the story of two people who choose to live on slightly different frequencies from other people. Andrea (Dinda Kanyadewi) has a unique and highly specialized job that requires her to work alone from night to morning in a near-empty office building. Leon (Khiva Iskak) is a writer, who goes out at night after his son falls asleep to write at his favorite coffee shop across from Andrea’s building. The two could begin to notice each other’s presence to their respective windows and they start to wonder about each other and themselves.

This film is about a family that lives in three different houses in one night when the rain is falling. In each of the houses there's an unrevealed secret, they have their own emotion just like what we feel every time we enter a different house.

Balada Bala Sinema is a story about the journey of FFP (Purbalingga Film Festival) crews in their hardship of managing the festival for more than 10 years. In 2016, Yuda Kurniawan decided to record the journey of FFP crews in producing Layar Tanjleb. The shooting process of Layar Tanjleb that takes more than a month to complete is going to present us a delightful story.

Kaminah and Kusdalini, met as Indonesian political detainees in 1965, when both were on the cusp of adulthood. After being rejected by her hometown, Kaminah went to live with Kusdalini. Since then, they have been inseparable, living together in Surakarta, Central Java. Now, in their 70s, they survive on the kindness of their neighbours, and the crackers that they sell. Growing old hand in hand, You and I charts a delicate moment in time when the pair are faced with the heartbreaking realities of growing old.

A man is reunited with his father who has been gone for more than 15 years.

Eva, a swimming athlete who is approaching her thirties and can no longer excel, decided to return to her former hobby, art. She decided to go to Yogyakarta in pursuit of her dream to become an artist. Her trip to visit these art galleries did not go as expected. Little did she know that Monday was holiday for most galleries. This journey that did not match her expectations apparently presented another unexpected thing where she actually met many people who work in the art environment. Sorry, Closed on Mondays presents a story about an individual who is trying to understand works of art, galleries, and the search for identity. A short trip that brought her to unexpected conversations and experiences.

Fajar Merah (21 years old) is the son of Wiji Thukul – a poets and human rights activist who was ‘made to disappeared’ in 1998 by The Soeharto Regime. Together with ‘Merah Bercerita’, a band established at 2010, and supported by his family, he tries to bring back his father’s poems to life, covers them with music notations and creates a music album. In a dynamic background of 2014 Presidential Election, 16 years after the 1998 tragedy, Fajar and family develops a new hope on one candidate; Joko Widodo, to solve some Human Rights Violation cases, to find Wiji Thukul and other victims.

A family-the mother, the son (Bagus) and the daughter (Ayu)-lives in a house located in coast area. The mother rent her son to guests who long for pleasure during their journey. He is usually blindfolded when serving his guests. One day, Ayu finds a headless woman statue and bring it home. She tells her bother that there is a guest waiting for his service. Blindfolded, at first Bagus is surprised by the woman statue. Yet, instead of being scared of it, he finds a liberty.