Zavod ZANK

Taking inspiration from the history of conflict throughout Eastern Europe, Echoes Of Time examines the concept of the illusion of freedom.

For the End of Time is a film about the mind… a film about the body and our inability to merge these two entities which are shaping a form of civilization known under the term “human”. A human is not a being unto itself. A human is a construct… a civilization-related coding of a certain precise time and place. A human is not a uniform creature. A human is a split between many things… but the worst is the split carried inside… that between the mind and the body… How can we feel others, if the only universe that an individual truly lives in and feels is his or her own universe? How can you feel for the other… How can the other feel for you? Only as much as the pain of the other resembles yours – thus as a reminiscence of one’s own pain. This is the only way. For the End of Time is a film on a quest… for the eternal longing “to find the real thing.

Humans' biggest delusion is their illusion of freedom. Newborns have no choice, they are brought into this world regardless of their will, groomed as utterly powerless beings to submit to the social norms imposed by those in the position of power - But what if there is an alternative?

Experimental video is made after sound recording of Le Grand Macabre opera, recorded live at the Parisian Theatre du Chatelet in fabruary 1998, performed by London Sinfonietta Voices Philharmonic Orchestra.

The film tells the story of the Old Faith in the Soča Region. While the time of the religion’s origin remains unknown, the only documented fact about this is that in 1331, the bringers of a new religion (Christianity) came from Čedad, initiating a violent Christianisation of the Soča region. This was a long and extremely violent process.