Bachibouzouk

In space, no one can hear you scream! the catchy slogan that accompanies Alien sums up the unprecedented stakes of this film that will mark the history of cinema. In 1979, for the first time on screens, a mainstream feature film will mix two distinct worlds of genre cinema: science fiction and horror. Ridley Scott forever shakes up the cinematic landscape by plunging the audience into anguish with his oppressive universe and his iconic monster. The documentary looks back at the lasting impact of this masterpiece, exploring Scott’s audacity and the genesis of his unique aesthetic. In the claustrophobic corridors of the Nostromo spaceship, the heroine, played by Sigourney Weaver, becomes the first strong female figure to redefine the conventions of the genre, far from the clichés of the time. By revisiting the film's key sequences, the documentary shows how Alien explores profound themes such as survival and dehumanization, while reflecting a scathing critique of the capitalist system.

Pussy Riot make a comeback after a long absence to stand with Ukraine. Their story and their struggle are told through archival footage and interviews with the group’s members.

Black Is the Color highlights key moments in the history of Black visual art, from Edmonds Lewis’s 1867 sculpture Forever Free, to the work of contemporary artists such as Whitfield Lovell, Kerry James Marshall, Ellen Gallagher, and Jean-Michel Basquiat. Art historians and gallery owners place the works in context, setting them against the larger social contexts of Jim Crow, WWI, the civil rights movement and the racism of the Reagan era, while contemporary artists discuss individual works by their forerunners and their ongoing influence.

Like a fish in the air, it is the story of giving through song. It is the voice of a mother, the voice of a singer, the voice of Camille which, through the vibrations of sound, weaves links with the unborn child.

March 2020, the world is closing in under the brutal intrusion of Covid 19. Women stay at home like anyone else and many of them drop artifices that become useless without the pressure of the outside gaze. Some of them give up wearing a bra as a form of reappropriation of one's body. However, when Herminie Cadolle presented her first bra prototype a century earlier, this former Communard, wanted to free the woman's body from the shackles of the corset. A Western invention, it conquered all continents: exported by the colonizers, then by the GIs, it was adopted by all the women in the world. Today 1.46 billion bras are produced every year. The film traces the history of this piece of cloth by revisiting its role in society. Both an object of desire and a constraint, the bra tells the story of women’s liberation.