Cassette for Timescapes

Ever since there’s only one male northern white rhino remaining on earth, armed bodyguards protect him, tourists are standing in line to make a selfie with him, journalists rush to Kenya to tell his story and scientists are determined to find ways to reproduce his species. What is so attractive about the threat of extinction? How does this reflect on us?

Biniam Girmay is a promising young cyclist from Eritrea. He dreams of taking part in the Tour de France one day. Despite all the obstacles in his way, Biniam climbs the world rankings step by step and competes in races in Europe. Will he manage to join a top team for the pinnacle of competitive cycling?

A depiction of the urge for freedom. Through 4 episodes we see 4 family members in a moment when they are tired of being a camel, as a beast of burden. They realise their tasks are meaningless and find themselves in a spiritual desert. The camel wants to become a lion. A spirit that fights against the false values in order to find his own place, his own freedom. Vincent, Renée, Alice and Robin are searching for the strength to undergo this transformation.

Astronauts set foot on the red earth of the Oman desert before the unbelieving eyes of the Bedouin. Two high school girls build castles in the air. A young boy trains to jump as far as possible. And each character seems to wonder what their place in the universe is. Skilfully weaving together the links between nomadism, exploration, colonisation and desire for freedom—a surprising film about human ingenuity.

The cross-frontier migrant's life 'within the system' - an endless, featureless, futureless round of queues - becomes even bleaker in December. Bipul doesn't want to admit it, but the arrival of Lidia, a Russian girl makes a difference. Hope? Surely not! A future? Get real! December is also the ninth month of Martina's pregnancy. But, just when the situation seems hopeless, help is at hand. A Christmas story.

Not Waving, But Drowning materialises the experience of Indian refugees during their arrest and detention by the harbour police in Zeebruges, Belgium. Within the tense, haunted context of the harbour and the seaside, and together with them, we slowly lose all sense of time and place. Without investigating their past or their future, the human traffic organisations or the Belgian legislation, the film transgresses into the timelessness in which our society imprisons people without papers. This subtle analysis of human exclusion and the reduction of human beings to the physical body makes us wonder if a human can be illegal at all?

Why We Fight? is a cinematographic film that tries to understand the violence around us, but also within ourselves, in order to better cope with the world today.

At the far end of Europe, on the southern border of Spain, lies Almería. It is a huge province completely covered with white plastic, harbouring Europe’s largest vegetable garden. It is the place where our tomatoes come from, even in winter. But under all the plastic, strange things happen… Today, the vegetable garden inevitably moves to Morocco. Spanish farmers dive well under their prices to keep in the race. 120.000 migrants work in slave-like conditions on the plantations.