Filmpark Production

This story actually happened in the region around the city of Sumperk in Jeseniky Mountains in May 1945. The disappearance of Agnes, the German wife of a Czech forester Jan Olsan is a dark mystery. She is the only one who knows who and for what reason is looking for her. It's the end of the war, times are bad and the Czechs are coming back from the inland to the frontier. The guards are forming and soldiers are coming. Fate brings together the outlaw Jan and his German brother-in-law Jurgen who has just returned from the eastern front line. Both men are looking for exactly the same woman and that is Agnes. But Agnes escaped; she is running away through the deep woods followed by the most powerful man of the county. Running away for what she had witnessed. The fatality of the relationship between Agnes and Jan can only be learned in the mountains on this thorny journey.

Eva would do anything to regain the love of the one she hurt the most - her son. She is a recovered alcoholic but decades ago she was a famous actress.

Time has come for young and handsome King Benjamin to find a wife. When presented the portrait of beautiful princess Carolina, he is so enchanted that in return he sends his portrait to her, but spoiled and proud princess Carolina selfishly rejects him. King Benjamin decides to win her over and, disguised as a gardener, manages to work at her castle,” reads a synopsis provided by All Rights. He finds out that the princess was once happy and kind, and with the help of music and flowers, she falls for him. When her counselors, eager to remain in power, found her a weak prince to marry, Carolina and Benjamin hastily flee together. The many obstacles they face in their escape will bring them closer. However, Benjamin will still have to reveal the truth, but love and happiness will prevail.

This romantic comedy, shot in a road-movie style, tells the story of businessman Petr Kraus and his personal transformation. After returning from China, where he supervised the production of clothing for his customers, Petr finds out that the manufacturer had ruined the whole order and so he gets into trouble with the contractor who wants some astronomical compensation for the damage. Peter knows that he should solve the problem quickly, but instead he decides to go on a trip seeking his personal happiness and an escape from responsibility. Fortunately, his close friends, Tereza and Pavel are there to help...

Barborka and Tomík vacation at their grandparents at the smithy beneath Dragon Rock, where the double-headed dragon Čmoudík (Smoky) is working hard.

Tragicomic family film about the world of children heroes - particularly the son of a local communist officer and his friend, a little hostage of the regime, whose parents emigrated to the West, few years before "Prague Spring" and the occupation of Czechoslovakia. Camaraderie, the first big discoveries of love, enemy gang fights and naive ideas are confronted with the reality of adult's world. The film is about the first contacts with bizarre and absurd reality of relationships and attitudes of adults, politics, emigration, but also betrayal and death and about how all those things form and transform the lives of small boys, who are forced to grow up too quickly.

A new man comes into the world and his fate is watched over by three female judges. One of them endows him with exceptional qualities, the second puts many obstacles in his way and the third advises him how he can find his happiness in life in spite of everything. But what happens if one of the women judges fails in her task? In a fairy tale story full of suspense, humour and surprises, the kind and wise girl Johanka finds out for herself... There will be a stubborn prince, an unjust and greedy uncle, or a forgetful fairy Tea, but most of all a lot of love, which, as it happens in fairy tales, will help Johanna to overcome almost all the obstacles of fate.

The Queen of the Waterland gives the King Juraj access to the water of life when his daughter is seriously ill. However, if the magic fluid falls into the wrong hands, it loses its power.

The life story of Slovak film actor Ivan Palúch (1940-2015).

The film is a Slovak version of The Thin Blue Line, recounting the unsolved disappearance and murder of a young woman that happened thirty years ago. It was a case that was paraded in the communist media at the end of which seven individuals were found guilty of this heinous crime. They are the same individuals who at present proclaim their innocence.

Slovak musicologist Agata Schindlerová, now settled in Dresden, has spent years mapping out the forgotten destinies of Jewish musicians whose lives were irrevocably marked by the advance of nazism. Scenes from the lives of several of them are portrayed in the film In Silence (ballet dancer Alice Flachová, pianist and conductor Karol Ebert, composer, conductor and director of the Dresden Theatre Arthur Chitz, pianist Edith Kraus, and the vocal ensemble Comedian Harmonists), which draws a sharp contrast between the protagonists’ carefree existence working and making music during the pre-war era and the subsequent severe upheaval in their lives brought on by the proliferation of nazism.

In its portraits of three monks, Erik Praus’s documentary captures the inimitable spiritual ambiance and mysticism of Pochayiv Lavra, an Eastern Orthodox monastery on a hill above the town of Pochayiv in western Ukraine’s Ternopil Oblast. Fathers Gabriel, Vicilentius and Nazarij have left their past traumas behind, finding peace, balance and their lives’ meaning at the monastery. Their stories are allegories of spiritualization and purification from human passions against the backdrop of the turbulent Ukrainian reality. Motivated by material need and spiritual desperation, the faithful flock to this place of pilgrimage in search of new strength and forgiveness. The film respectfully observes the monks’ everyday lives, while also noticing the opulent splendour of their surroundings. The road to faith is not a privilege of the chosen few; it is open to all who hear its “calling”.

Documentary film about glassmaker Palo Macho (*1965).

What is “Slovakia”? How to explain the notion of “Slovakia” of the past 20 years to an unknown stranger, a visitor from another planet? What is the genetic makeup or the software for “Slovakia”? How to use it? How does it change? Slovakia 2.0 is a film about twenty years of independent Slovakia as seen from the perspective of ten film directors. It is composed of ten 10-minute films of different genres ranging from drama, through animation and documentaries, to experimental film. The ten recognised film directors who offer an answer to what is Slovakia include a wide range of generations, views and genres, namely Juraj Herz, Martin Šulík, Peter Kerekes, Zuzana Liová, Mišo Suchý, Ondrej Rudavský, Iveta Grófová, Peter Krištúfek, Viera Čákanyová, and Miro Jelok.

A drug-addicted punk, Kwicka, lives with his companion and son in a dilapidated sublet. His alternative way of life collides with harsh reality when he receives a letter from social services warning that his child will be taken away. Kwicka tries to make things right, but his impulsive behaviour turns his rescue efforts into a free fall.

Zoltán, a young electrician, lives in Komárno, a town on the border of Hungary and Slovakia. His simple, carefree life suddenly changes, when he is accidentally hit by a car and almost killed. He dreams of a guardian angel who grants him a new lease on life on one condition: in three days, he has to improve the lives of at least three other inhabitants of this town that long ago forgot how to be happy. Thus begins Zoltán's incredible journey.

The life and times of the vagabond, prisoner, swordsman, photographer, painter, wanderer, action maker, performer, seeker of joy and freedom Alex Mlynárčík in moving images, paintings, photographs, life-plays and controversies of the times in which he lived and lives. The story of a century in which the modern identity, culture, and basic values of Slovakia were formed - as part of Czechoslovakia, but also as an independent state, and especially as part of the European community, to which our protagonist inseparably belongs with his work and life. Alex Mlynárčik, through his work, friends, opinions and speeches, has become an organic part of this story - and especially its co-creator.