Anthology Film Archives

Savaş decides to take his revenge against the attorney that caused his sentense.

An autobiographical diary film assembled from unused footage shot between 1960 and 2000, interwoven with reflections, music, and glimpses of family, friends, city life, and travel. Mekas transforms these fragments into a poetic celebration of memory, happiness, and the passing of time.

A short documentary profile of the Anthology Film Archives, shot on the eve of the move to the historic 2nd Avenue Courthouse. Staff and patrons are interviewed, and films preserved by Anthology are spotlighted.

Jonas Mekas recites poems of his, both in English and Lithuanian. Exclusive Mekas interview by the poet Sparrow. The legendary poet-film critic and film diarist waxes philosophical in rare extended setting exhibiting his transcendental poetic humor. Jonas attacks the crass world of TV advertising and sell-out commercial filmmakers. Contributes zen anecdotes and filmmaking advice. Choice clips include Mekas' Film Diaries with deceivingly formalist amateur "home movie" style, but in small bursts of expression in a quick collage. Footage from Jonas' homeland as well as clips of famed pop figures John Lennon, Yoko Ono and Tiny Tim.

Female dancers “clothed” in electronically generated flaming colors reincarnate Thomas Edison’s 1894 hand-tinted film “Annabelle Dances”.

In February 2004, after 30 years of my life in SoHo, I made a decision to leave SoHo and move to Greenpoint, Brooklyn. This video is about what it feels like to leave a place in which one has spent more time than any other place, and which was also the place of my family life. I am somewhere else now. It’s about beginning of growing roots in a new place, new home, with new friends, new thoughts, experiences. This video is also about video. When in 1949 I began filming with my Bolex, it took me fifteen years to really master it so that my Bolex would do for me what I wanted. When in 1987 I got my first Sony camera I thought it would be different. But no. Only today, after working with the video camera for fifteen years, I feel like it had become an extension of my eye, my body, "A Letter from Greenpoint" being my first real video work.