Stine is now eleven and her life and world in a Copenhagen suburb's modern social housing is portrayed in episodes around her family, friends and school.

This is a film about the stuff dreams are made of, yet, there is nothing elevated in this concept, on the contrary. The characters around the bar Strudsen (the ostrich) are doing what ostriches do, hiding themselves from the threats of life and keeping their dreams to themselves. Scriptwriter Benny Andersen being a poet is rendering a loving portrait of a number of persons, who fail to try to make their dreams come true, possibly not being sufficiently dissatisfied with their life after all. The manager would like a bar of his own but dare not admit to it, the butcher would like to be an opera singer, the window cleaner (sorry, window polisher) is secretly in love with the bar lady, but dare not show it and the pianist willingly listens to all the different dreams being presented to him. This film was the best accomplished movie from Henning Carlsen since his debut with 'Sult'.

This documentary examines a feature of Danish life in the late '60s and early '70s: the political commune. In a series of stiff and unrevealing interviews with members of the Kloevedal Commune, "Mao's Pleasure," director Carlssen seeks to discover why they have chosen to live communally. Turning the tables on the director, members of the commune also interview people who live ordinary, middle-class lives, ostensibly to find out why they chose their "lifestyles." Other footage concerns the Annisse Commune, a less radical organization which predates the Kloevedal Commune by decades. A highlight of the film is an interview with a very old woman who lives with and talks chiefly with her cats.