Shanghai Film Studio

300 years of a remarkable musical instrument. Crafted by the Italian master Bussotti (Cecchi) in 1681, the red violin has traveled through Austria, England, China, and Canada, leaving both beauty and tragedy in its wake. In Montreal, Samuel L Jackson plays an appraiser going over its complex history.

Married couple Fugui and Jiazhen endure tumultuous events in mid-20th century mainland China as their personal fortunes move from wealthy landownership to peasantry.

A town in Fengjie county is gradually being demolished and flooded to make way for the Three Gorges Dam. A man and woman visit the town to locate their estranged spouses, and become witness to the societal changes.

Based on a novel by the same name written by Gu Hua, a melodrama about the life and travails of a young woman who lives through the turmoil of the Cultural Revolution.

After Hero Hua marries Jade and leaves her in China, he goes to America to work as a servant and rebels against cruel labour conditions. Jade soon joins him in New York, where they build a family.

A sweeping, epic tale of a martial arts warrior who attempts to defy a kingdom to be with his love.

Wreaths at the Foot of the Mountain is a 1984 Chinese film about the life of the soldiers in a PLA army company before, during and after the Sino-Vietnamese War.

In 1980, Xu Jingshan, a wealthy Chinese-American businessman returns to China to find his son, Xu Lingjun, whom he had abandoned over 30 years earlier. Labeled a rightist because of his capitalist father, Lingjun has been forced to live as a humble herdsman on the grasslands. His bitter life has been transformed by a happy marriage to the wise and beautiful Xiuzhi, and more recently by his rehabilitation by the Party. When he goes to Beijing for their reunion, he discovers his father wants him to work for his chemical company in San Francisco. Lingjun tells the story of his life to his father, as he ponders his future.

Winner of the Hundred Flowers Award for Best Film in 1984

It is the late 1920s when six-year-old Yingzi and her family move to Beijing. As Yingzi explores the busy streets and alleys, she befriends a widow who, driven mad by grief, stands vigil at the entrance of her hutong, waiting for her missing daughter to return.

A Chinese prostitute weds, studies painting, and becomes a renowned artist and professor in Paris.

Set in the early stage after liberation of Shanghai, Chen Yi is delegated to be mayor and deals with a lot of economic and social issues.

In 1937, after the Marco Polo Bridge Incident, the Second Sino-Japanese War breaks out. San Mao, a wandering orphan, joins the army to participate in the Battle of Shanghai.

The film tells the story about the daughter of a Nationalist general who revisits the famous summer resort Lushan Mountain in Jiangxi province in 1980 and falls in love with the son of a senior general of the Chinese Communist Party.

The film is a powerful condemnation of the political radicalism of the Cultural Revolution and shows how ordinary people were victimized during a decade of turmoil.

Said to be the first science-fiction film produced in China (and perhaps having its North American theatrical premiere in Future Imperfect?), Death Ray on Coral Island spares no bile, camp, or latent envy in portraying America as the cunning archenemy that will stop at nothing—industrial espionage, assassinations, even ballroom dancing—to steal China’s futuristic weaponry. The film occupies a pivotal moment in China’s modern history, representing a legacy of the Great Cultural Revolution and a harbinger of the nation’s ascension on the global economic stage. Courtesy of the China Film Archive and Shanghai Film Group.

This simple romance story does not mean much to westerners, and in fact, does not even mean anything to Chinese today, but it was a big thing when it was made, not long after the end of Cultural Revolution in which even the personal romance was restricted. This movie is one of the pioneers of personal liberalization in advocating people seeking out their love following their own hearts, not from other people.

In the mid-19th century, at the height of the Opium War, the Chinese people rose up against the feudal system and the Manchu dynasty, which had capitulated to foreign invaders. ... With their heads bowed, peasants in chains trudge along, those who refused to give money to crush their rebellious brothers. Suddenly, their path is blocked. It is Song Jing-shi who has come to their rescue with his detachment. The freed peasants joined Song Jing-shi. This is how the core of the Black Flag Army was formed. The first historical film made in socialist China in the 1950s. The script is based on authentic material collected in villages in Shandong Province. Legends about the cruelty of Sen Gelinzin and the bravery of Sun Jing-shi, who is called the "Chinese Spartacus," still live on among the people.