A beautiful homage both to Ernst Reijseger's music and genre ambiguity. This documentary tries, and mostly manages, to balance the picture by capturing private solo improv sessions, both indoors and outdoors, that display Reijseger's mastery over different colors and tones - with the same astounding technique and soulful commitment. Interspersed with beautiful country- and city-side footage that evokes his ever contemplative music, Do You Still? also features intimate and sometimes bitter-sweet statements by Reijseger on his early years, "career" choices, mannerisms, anxieties and shortcomings.

At the beginning of the 60's, thousands of Portuguese turned up in France through the underground. They were fleeing misery, war and repression. Left to unscrupulous smugglers, they had to cross the Iberian Peninsula tracked by the Portuguese and Spanish police. For many, the voyage towards France turned into a disaster. As a child in a shantytown, the author remembers having heard about these terrible odysseys. Thirty years later, he goes in search of the stories of his childhood and seeks to understand what sparked this unprecedented emigration known as the "plebiscite by foot" against Salazar. Between childhood memories and historical investigation, he looks for the images of this exodus, the largest in post-war Europe.

Hailing from Mohammedia, Tunisia, the film documents twelve years in the life of Mehrez. A gifted dancer and actor, but also irresistibly addicted to gambling and horse races, he struggles on a daily basis with himself and the bewildering contradictions of his country. In his unstoppable quest for truthful emotions, Mehrez defies all rules.

A studio. A man and a woman. Moving images on the screen, which he comments on, spurred on by her questions. All the footage was shot from the window of a flat: views of the street, the metro line running above it, the canal, into the windows of the buildings opposite. The flat belongs to the man’s lover, the man is a guest, spending his nights there but never his days. By the canal, young men from Afghanistan set up makeshift shelters as the man looks on, developing increasing sympathy for them. The seasons change, winter, spring, summer.

Vincent rehearses with his boyfriend the difficult announcement he will make to his father.

In 2019, the director Leos Carax proposes to Estelle Charlier and Romuald Collinet to design, make and animate "Annette", the puppet of his new film. This one will be the child of the couple Marion Cotillard and Adam Driver. Propelled into the world of cinema, begins for this charismatic duo a unique and singular adventure in their career as puppeteers. Faced with the demands of the filmmaker, the impossible, they are held.

The documentary evokes the devastating effects of the earthquake that struck the Haitian capital on January 12, 2010, through the words of Haiti's greatest poet Frankétienne and his premonitory play The Trap. Shot in the ruins of Port-au-Prince's main cathedral, this film is an ode to life and suffering, a poetic response to the tragedy and desperation of a people who continues to mourn the 250,000 lives lost in the earthquake.

Dazzled by the surrealist movement, Francis Falceto decided at the age of 17 to live an extraordinary life. In the 1980s, co-created l'Oreille est Hardie and Le Confort Moderne in Poitiers, leaving his mark on French underground culture. A record he discovered by chance opened another important chapter in his life: Ethiopian music, of which he became a great champion. "Ethiopiques Magnetic Suite" is the portrait of a discreet and essential man, a plunge into the counterculture, an invitation to live his his life.

Making a film about the choreographer Jérôme Bel means embarking on a paradoxical project: how do you direct the anti-director? There’s a risk of seeing your film turn against itself.

In the introductory class to orchestral direction at the Conservatoire national supérieur de musique et de danse de Paris, ten students follow the teaching of their impassioned and affectionate professor. From the first clumsy gestures to the face to face with the symphonic orchestra.