Escola Superior de Media, Artes e Design

According to Sigmund Freud: “Unexpressed emotions will never die. They are buried alive and will come forth later in uglier ways”. “Umbral” materialises the moral dilemma of whether there is a cause and effect link between trauma and criminal behaviour.

A group of friends is invited to a party, where Afonso reencounters his last love. After consuming a large amount of drugs, he is confronted by an hallucinogenic trip where he confronts his fears.

In a digital age where everything is fast and efficient, human beings are unable to develop meaningful relationships. Lia, an unconforming young woman from this well-formed society, struggles with the loss of her father and finds herself in a depressive state. After receiving an offer that promises to solve all her problems, Lia will have to make a choice: the comfort of the virtual world, in which she will have total control over her life or the real world with the virtues and difficulties inherent to everyday life.

One night on Valentine's Day, Rúben take dinner in a restaurant until someone spills accidentally a glass of wine on his shirt. Within the quiet of the street he smokes a cigarette with Jorge. Between cigarette puffs Jorge asks him a simple question for a complex answer: How long can he continue to run away from his problems?

A wandering, mad old man is followed by a child who can see the magic contained in his words and rituals.

Three students hangout in a living room. What Hugo and Paulo don't know, however, is that this night is not like the others. Luís has something to reveal to them, a secret with apocalyptic consequences, that will test their friendship.

A reflection on time, the act of observation, the future and the concept of happiness. Within the context of the pandemic and social isolation, Marta and Matilda exchange letters through e-mail portraying intimately a generation.

14th century. Santiago obsessed with a punishing God, on an initiatory trip on his way to Santiago de Compostela, sees his chastity and aptitude put to the test. Santiago rejects the sin of the flesh and eventually falls into a trap. He is unjustly arrested and sentenced to death.

The Sanjoan folklore groups of Vila do Conde – Rancho do Monte and Rancho da Praça – tell their stories, traditions and, above all, rivalries, in a very contemporary and unusual way: through a ranch battle.

Part of Vale do Ave historical context, Woman of my people takes us on a journey through the textile factories and their stories. Conceição, the director's grandmother, tells her personal story, reflecting on the role of women in the factory in the social context of Vila das Aves in the sixties.

About 500 immigrants from Indonesia are guarding the fishing fleet in the fishing village of Caxinas (Vila do Conde). Without these immigrants, most boats would not go to sea and the local economy paralyzed. The film recounts the difficult life on the high seas and his experiences. They are supportive men and give a lesson in life and citizenship. Not only do they send money to families, but they help orphaned children in their country to have their dignity back. In times of xenophobia and racism, they are the ones who help the development of the country where they now reside.

A movie about relationships and affection with the sea as a cenario and link between these stories.