Light Cone

In the darkroom, 50 unexposed film strips were laid across a surface, upon which a frame of "La sortie des ouvrier de l'usine Lumière" was projected. The stringing together of the individual developed sections make up the new film, which reads the original frame like a page from a musical score: within the strips from top to bottom and sequentially from left to right.

9 key moving image works created by filmmaker Christian Lebrat over a ten-year period (1976-1985). Each film focus on an aspect of his experimentation with the use of color in cinema.

Daucus Buganvilia is a collection of natural elements in direct contact with the film. Lichen, sylvan plants, dried petals, found leaves, meet the photochemical support through an experimentation of cinema without camera which discovers the minute constitution of the matter. A rhythmic visual study where plant motifs, textures and sensations follow one another, revealing nature in its most imperceptible details.

Take an artful, startling journey into unexplored regions of feminine sexuality. A sensitive and lyrical film set to become a cult classic as it explores what it considers centuries of patriarchal oppression. The land of feminine pleasures has remained very much 'terra incognita'. Deep Waters opens the door on rare and precious spaces where words are freed.

Cinexpérimentaux is a series of documentaries on experimental filmmakers, produced and directed by Michel Amarger and Frédérique Devaux. N°8 is dedicated to the most important European cooperative Light Cone created in 1982 in Paris.

A re-photography in video of material that was originally used in a performance during which Karl Lemieux, painted, scratched and burned film loops from an old western 16mm film. Traces of an impossible past and future collide in a trajectory where the present unravels.

“While he mused on the effect of the flowing sands, he was seized from time to time by hallucinations in which he himself began to move with the flow.“ (Kōbō Abe) Liminal zones. Floating particles. Fire, water, earth, air. Voices of fictional characters: sometimes suggestive, sometimes strict, leading the viewer away from the here and now. Who's talking? The relationship between the hypnotized subject and the hypnotist is mirrored in the spectator's relationship to the screen.

Radical, means what has to do with roots. The film is made with black radish: minced and cut in parts, then patiently placed and exposed on film. In a digital age, we go back to the roots of cinema!

A woman and her double in a caressing game.

A deep zoom shot that plays with the definitions of sexe (sex or sexual organ) and thym (thyme), which rhymes with the English word time, creating a game with words and images.

One of the series of labodoble experiments of the natural (organic) film developers. The structure of the film is based on the chemical formula of the Rhus Typhina's developer. The main protagonist of the film is a species of flowering plant in the family Anacardiaceae which leaves and berries have been mixed with tobacco and other herbs and smoked by Native American tribes. We tried to apply the properties of the Rhus Typhina in the photochemistry. The film catches the research, experiments, harvesting and preparation of the film developer in which latter original negative was developed.

This film was provoked by a trip on the overhead railway through the centre of Chicago in 1991. I filmed a twelve minute piece facing forwards in the direction we were driving. Three years later I came across the film material once more. The memory of it had faded, and its images were just as vague. So I worked on the material using a bleaching bath. The complex, cuboid-like architecture of the city came out in a test of the substantial and then sank back into the minority - dissolving to a lump of cosmic dust. I was first able to identify a projection of the experienced, within the undercurrent of disintegration. (Jurgen Reble)