Paradise Films

A lonely young widow lives with her son following an immutable order: while the boy is in school, she cares for their apartment, does chores, and receives clients in the afternoon.

A woman suffers a subdued psychological breakdown in the wake of a devastating breakup.

In a remote, isolated Yazidi Kurdish village in post-Soviet Armenia, Hamo, a widower with a pitiful pension and three worthless sons, travels daily to his wife's grave. There he meets the lovely Nina, who is communing with her late husband. The two are penniless--she works in a local bar that is about to close down, while he has been forced to start selling his meager possessions. All seems hopelessly bleak, yet when Hamo begins to court Nina, their unexpected love revitalizes them.

In a lively shopping center, proprietors and customers are bustling, including three women vying for a man's heart with song and dance.

A married biology professor goes back to her ex boyfriend who is still in love with her. When a secret is revealed, she cannot decide between listening to her heart and her mind.

Ariane lives with Simon in his large Paris flat. Simon is obsessed with her: he wants to know everything about her, secretly follows her when she goes out, asks questions all the time, even in the most intimate moments. Ariane seems to take it all in stride, but Simon realises that she's hiding something.

The intertwined lives of two women in 1970s France, set against the progress of the women's movement in which Agnes Varda was involved. Pomme and Suzanne meet when Pomme helps Suzanne obtain an abortion after a third pregnancy which she cannot afford. They lose contact but meet again ten years later. Pomme has become an unconventional singer, Suzanne a serious community worker - despite the contrast they remain friends and share in the various dramas of each others' lives, in the process affirming their different female identities.

A burnt-out New York psychoanalyst exchanges apartments with a Parisian woman. When his patients arrive, they talk to her and then pay. He returns early and becomes a patient as well.

Ana bolts from her wedding altar and flies from Venezuela to Paris to realize her dream of becoming a great opera star.

A poor boy befriends a girl from a rich family who disapprove their relationship.

Detached filmmaker Anna Silver arrives in Germany to show her latest film; over the course of some days, she encounters a variety of new and old faces, some of whom make personal revelations to her to little affect.

Impersonal and beautiful images of Akerman's life in New York are combined with letters from her loving but manipulative mother, read by Akerman herself.

In the first of the three linked episodes of French writer-director Emmanuel Finkiel’s delicate, poignant Voyages, a bus tour of Poland, by present-day French survivors of the Holocaust, suffers a mishap: en route to Auschwitz from a Jewish cemetery, the bus breaks down. In the second episode, one of them confronts the possibility that her father, long presumed to be among the Six Million, in fact survived; but is he her father?

Following over two dozen different individuals in the almost wordless atmosphere of a dark night in a Brussels town, acceptance and rejection in the realm of romance is examined.

In 1940s Malaysia, European merchant Kaspar Almayer is obsessed with finding a treasure to secure his daughter's future. His dreams fall victim to the pressure of his own greed, which becomes a torment. Compounding this is the oppressive English domination dominating the country – and that which brings ruin to the remote village where he lives.

In this incisive dispatch from the newly collapsed Soviet empire, bullet holes from WWII still pockmark the old stone buildings. Akerman journeys from East Germany to Moscow between the late summer and winter of 1993 ('while there’s still time'), chronicling in deliberate tracking shots, circular pans, and domestic tableaux yet another moment of radical upheaval in the 20th-century, the faces and bodies of Poles, Ukrainians, Germans, and Russians weighed down with obedient resignation and uncertainty.

Furniture and clutter of one small apartment room become the subject of a moving still life—with Akerman herself staring back. This breakthrough formal experiment is Akerman's first film made in New York.

Life at the ordinary backyard in Yerevan. Two hours of non-stop jokes and music.

A filmmaker’s self-portrait, asking hard questions of herself and of us. Invoking Aurore Clément as a kind of stand-in or proxy, a glamorous counterpart to Akerman who sports a drawn-on moustache. What is cinema for? Who is it for? If the Mosaic prohibition on making graven images includes film images, then where does that leave a Jewish filmmaker?

Akerman spends a month in Tel Aviv, in an apartment by the sea, contemplating childhood, family, and her Jewish identity.