Trinity Bridge Studio

Stuck in a mining town near Vladivostok in 1947 amongst Soviet exiles and Japanese POWs (Japanese prisoners remained in Siberia for years after the war had ended), the kids have to come up with something to keep them busy. Two friends, Valerka and Galia, play some peculiar, very dangerous games of their own amid the man-made wasteland of Suchan.

Nikolai (played by Sergei Dontsov) has been fired from his job as a music teacher and has to live in the gym until he finds a place to stay. Finally, he gets a communal room in the apartment of Gorokhov (Victor Mikhalkov). The room's previous inhabitant, an old lady, has died a year ago, and yet her cat, Maxi, is still in the locked room, healthy and fat. Soon, Nikolai and his neighbours discover the mystery: there is a window to Paris in the room. That's when the comedy begins - will the Russians be able to cope with the temptation to profit from the discovery?

Beginning with perestroika and reaching its peak after the demise of the Soviet Union, pessimistic youth sub-culture films abounded in Russia and the former republics. Anguely V Rayou is another example of these "youth without future" films. Based on the novel Two Notebooks by Piotr Kojevnikov, the action takes place in the Leningrad of 1975, when the "stagnation" era is at its peak. Two teenagers, Micha and Galia, are experiencing a slow death in the slums of the city. Galia's aunt is going crazy in her desperation. Micha's mother is killed by a drunk. One of their friends has committed suicide. These kids are typical of a generation wasted by alcohol and misfortune. Some are bound to become outcasts, some will be destroyed, and others will be sacrificed in Afghanistan. The title is ironic, as there is neither paradise nor angels in this story.

Black and White is the story of Lisa, a young Soviet emigre studying medicine in Manhattan, Roy, an African American building superintendent on New York's Lower East Side, and the bond that they form from living on the edges of Manhattan. Filled with an assortment of fringe artists, disenfranchised immigrants, diamond dealers and sexual surrogates, the film is ultimately about breaking down barriers between people.

The main character is an intellectual from Russia, who sees it as his duty to bring an idiot from an mental institution to his house. He can pick someone out, after bribing the boss of the institution, with two bottles of vodka. He chooses Vova, at first sight a silly man, and takes him home. His wife is at first not very happy with this choice. Vova says and does nothing at all. Then he becomes an aggressive man, who terrorises the house and bashes everything to pieces. After she is raped by Vova, the wife gets sexually dependant on the Idiot. Vova isn't interested anymore, when she gets pregnant and doesn't keep the baby. The idiot goes now to the intellectual for his sexual needs. The wife can't take this anymore and forces her man to take a choice: Vova out, or she will go.

A man tries to come to terms with his father's death and to deal with the mundane details of his burial in a society cut off from spirituality.

Volodya, who lives with his mother in the apartment on the outskirts of St. Petersburg, gets a pre-revolutionary book on magic rituals of Africa. Reading it, Vladimir realizes that he became an owner the supernatural gift – he can kill people by his own will.

He has appearance, abilities, intelligence, but exchanged everything for women, bringing them mostly grief, deceiving them and extracting everything he could from those who were older and richer. But then they saw through him and sent him out as a choreographer to the provinces, where he literally died. There arose a natural, but at the same time unnatural friendship and enmity with a drug addict nicknamed Buryy (Brown). This relationship brought Fuflo (Junk), as Buryy nicknamed him, to murder.