In southern Italy, Mary, a young woman bound to criminal Nunzio, wants out of their toxic relationship but fears the repercussions. Her love affair with Giulio, a new riding instructor, drives her to find courage. Despite warnings from Michele, her childhood friend and Nunzio’s partner, Mary chooses love with Giulio. Nunzio, feeling betrayed, plots revenge. A story of love and blood where the real subversive and renewing elements seem to be love and friendship.

Five people travelling by camper crash into a tree. When they recover, the road they were driving on has been replaced by an impenetrable forest and a wooden house.

Caterino is a worker at the Ilva factory in Taranto. When the company executives decide to use him as a spy to identify the workers they should get rid of, Caterino starts to track his colleagues, in search of reasons to report them. He then asks to be assigned himself to the Palazzino LAF where as punishment, some employees sit out their time with no job assignment. There he discovers that what looks like paradise is actually a strategy to psychologically break troublesome workers.

India. Smita is an untouchable. She dreams of seeing her daughter escape her miserable condition and enter school. Italy. Giulia works in her father’s workshop. When he has an accident, she discovers that the family business is ruined. Canada. Sarah, a successful lawyer, is about to be promoted to the head of her firm when she learns that she is ill. Three lives, three women, three continents. Three battles to fight. Although they don’t know each other, Smita, Giulia and Sarah are unknowingly linked by their most intimate and singular bond.

An acclaimed novelist struggles to write an analysis of love in one of three stories, each set in a different city, that detail the beginning, middle and end of a relationship.

While visiting her fiancé's mother in southern Italy, a woman must fight the mysterious and malevolent curse intent on claiming her daughter.

The daring journey through Europe of two somewhat naive friends, Salvatore and Felice, fleeing a small town in Puglia, who find themselves catapulted to Rotterdam and then to Iceland. For the first time in their lives they will discover what it means to feel alive and happy. Through some mishap and with the help of the generous and extravagant Anke, they will overcome their fears and inhibitions. They will be overwhelmed by life, discovering the joy of existing and of experiencing and receiving affection and love in a strange triangle of relationships typical of a 'modern family', bizarre and reassuring at the same time.

A suburban high school, structures, students and teaching staff are the exemplary mirror of a social and economic depression that seems irreversible. To worsen the situation, a few meters from the school, between the houses of the neighborhood, the "Zoo", a center of assistance to migrants became over the years a permanent refugee camp. A professor is called to hold a remedial course for six students suspended for disciplinary reasons. But when the clashes between the population and migrants break out, the situation quickly gets out of hand.

1828. In the wake of the repression of revolutionary uprisings in the monarchist South, three young friends join Giuseppe Mazzini's patriotic cause, seeking to finally unify Italy under a republican government. Their idealism will clash with the inevitable disillusionment as they grow apart over the following fifty years.

Gabriele returns home in southern Italy to bid farewell to his father Ernesto, a former stationmaster in a small town not far from Bari. The old man reawakens in Gabriele memories of his childhood, of his loving mother, his uncle, his friends... but also of his father's rage and bitterness over his failure in achieving his artistic ambitions: Ernesto was convinced he was destined to be a famous painter, and was willing to sacrifice everything for this belief, even his own dignity – and this made his son swear that he wouldn't turn out like him. Only now, many years later, through chance and circumstances, Gabriele begins to understand Ernesto and to see what sort of person his father really was.

On 8 August 1991, an Albanian ship carrying 20,000 people reached the port of Bari. The ship was called the “Vlora”. Mooring was difficult, and some of the passengers jumped overboard to swim to land, while many others chanted “Italia, Italia”, making the victory sign. On 7 August 1991, the ship, returning from Cuba, the “Vlora” had arrived at the port of Durrës with 10,000 tons of sugar in its hold. Work on unloading the sugar was underway when an enormous throng of thousands of people suddenly assailed the ship, forcing the captain to head for Italy. The next morning, waiting for the “Vlora” was an incredulous and stunned city and an empty football stadium where the Albanians were held before being sent back home. Twenty-one years have passed since that day. Most of the people who boarded that ship were sent back to Albania, but the crossings continued and many of them had another go. Today, 4.5 million foreigners live in Italy.

Francesco, a young man born without arms who has learned to live despite his disability, has access to good education thanks to material wealth and the love of his parents. But his sexual drive remains unfulfilled. Only his childhood friend Stefano will understand the frustration of his friend and help him.

An in-depth documentary into the life of renowned Italian composer Nino Rota, who wrote the score for 16 films directed by Federico Fellini, including “La Strada,” “8 1/2,” “Juliet of the Spirits” and “Amarcord,” besides “La Dolce Vita.” He also composed music for Franco Zeffirelli’s “Romeo and Juliet” and the Sicilian-inspired theme for “The Godfather,” whose “Part II” score won him his only Oscar. Rota’s 150 films also included collaborations with King Vidor (“War and Peace”) and Luchino Visconti (“The Leopard”). Rota died at 68 in 1979.

Andrea and Filippo love each other and have been together for many years, which is why Andrea thinks the time has come to get married and registers a request with the municipality with his own name, as if it were that of a woman: Mrs. Andrea Viglione. Being civilly united with Filippo is not enough for him, he wants marriage. He doesn't know, however, that many issues will have to be resolved before that day. First of all, Filippo doesn't find the courage to tell his father and grandfather that he is gay. But Filippo isn't the only one who doesn't have the courage to tell the truth in his family. Also Anna, Andrea's mother, who has rebuilt her life in the United States is unable to tell her husband Anthony and her son Jimmy that Andrea is gay. Especially since Anthony is running for governor of Kansas for the conservatives and his son Jimmy, while still a child, is already a talented evangelical preacher of strict principles.

Pio and Amedeo are inseparable friends, or at least they were until they graduated from high school, at which point each one was faced with the question: move up north or stay in the south?

Antonio, a filmmaker running out of ideas, has a vision of the city's patron, St. Nicholas, who asks him to make a film about his true story. So Antonio sets out on a journey in the myth's footsteps, crossing all the countries where the saint is revered. Turkey, Belgium, Holland, France, Russia, all the way to the United States, where he is better known as Santa Claus, i.e., Santa Claus. A journey in the midst of a melting pot of popular cultures and traditions, with all their contradictions, a journey through colors and religious rigor mixed together giving life to a sacred figure who is, at the same time, a consumerist model.

Michele Anacondia is a criminal on the fringes of the Apulian mafia, whose wife pushes him to achieve more. Their only son dies in an ambush and the man kills half of a rival gang. The boss promotes him, and when his enemies set fire to his residence, he takes refuge with Michele and his wife. Michele is not satisfied: he kills the godfather and takes command of the Sacra Corona. But his thirst for blood will plunge him into madness.

Rome, 1968: at the pinnacle of his artistic career, Pino Pascali died in an accident. 50 years later the Pascali Museum in Apulia—where Pino was born—buys and exhibits one of his works. This is the story of a work of art returning to its origins told through Pino Musi and Pino Pascali’s photographs.