Filmes do Asilo Febril

In a town dominated by criminality, the destinies of a police chief and a nightclub performer intersect, leading both of them, and the city as a whole, to a tragic end.

Three crooks are hidden with a stolen bag, only one criminal can save them: The Thin Man.

A group of people gather at a roadside hotel during a heavy storm. As hours pass, rumors spread in the lobby: a fugitive criminal was captured. Among local cops, it is difficult to know who is in the service of the law and who is looking for revenge. Santana, an ordinary man, responsible for the criminal's arrest, sees his life turn upside down as he tries to expiate his guilt for a lie in the past.

An old man builds houses to protect his home.

José, born in São José dos Pinhais, Paraná, wants to learn more about his town's history. To do so, he schedules a conversation with historian Maria Angélica Marochi at the Municipal Library. While they talk, a strange figure walks through the rural landscapes of São José dos Pinhais, searching for a distant past.

After losing his home, town, work and love, a poet travels far away and eventually finds the way back through parallel dialogues with his absent friends.

Savella recalls an old story, an old knowledge, reads Buñuel and prepares his drink, Pinga Seca.

An exhausting ping-pong match in the back of an old studio offers profound lessons.

The bad day of a film buff at the Cinematheque. A stranger projects herself on the screen and changes its course.

The Miringuava dam is being built to ensure public water supply around the municipality of São José dos Pinhais, Brazil. Changes are inevitable, and many residents of the surrounding area suffer from the conditions imposed by the Government's project.

A regular day at Master Divonzir's dojo.

Savella travels to Italy. There, he discovers Rome, its landscapes and monuments. He remembers, among the ruins, where he came from and what motivated him to leave and return.

A portrait of the churches surrounding the Diocese of São José dos Pinhais.

Anezia dos Santos talks about her childhood in Votorantim Factory's Workers' Village.

A scene is created and rehearsed in Master Divonzir's dojo.

Luiz Antonio Guinski's airplanes pervade the boundaries between image and word, composing a body of work that destabilizes matter to explore drawing, chance, symmetry - the body and the machine.

João is disenchanted with life and spends his days working at a video store. Without warning, a new client appears and makes him a proposal.

During the COVID-19 pandemic lockdown, two strangers connect through emails, sharing their experiences of isolation. Between empty streets and open windows, the town plots an encounter.

The hero waits in line at a government office, takes a nap and is woken up by the devil.