Cinecittà Studios

Episodic journey of journalist Marcello who struggles to find his place in the world, torn between the allure of Rome's elite social scene and the stifling domesticity offered by his girlfriend, all the while searching for a way to become a serious writer.

Momo is a young orphan girl who lives in the ruins of an old Roman amphitheater and becomes friends with everybody in the neighborhood. But when a powerful international corporation starts stealing everybody’s time, nobody has any time left for her, let alone their friends or families. Momo, together with Master Hora, the custodian of time, are the only ones who can go up against the time thieves before all is lost forever.

A Ukrainian woman named Irena calculatedly insinuates herself into the lives of a young, affluent Italian family. Stopping at nothing to become the couple's trusted maid and the beloved nanny to their fragile young daughter, Irena risks everything in her quest to uncover the truth about the family.

A young Roman woman during the 1950s is on the verge of becoming engaged to a man. She goes to Cinecittà to do an audition as an extra and is thrust into this almost infinite night during which she discovers herself.

Carla Zachanassian had a child by Serge Miller as a teenager. When Serge refused to marry her, she was driven out of town. By her own wit and cunning, she has returned as a multi-millionaire for a visit. The town lays out the red carpet expecting big things from Carla, only to learn that her sole purpose is to see Serge Miller killed...

While on his travel across the Southwestern United States, with his Jeep CJ Renegade and his chestnut colt named Joe Brown, Luke meets Matt, son of a friend of his, Moose, who is in jail. Moose asks Luke to take care of Matt, and to help him to take possession of a piece of land. So starts their travel, full of adventures...

In ancient Rome, bathhouse architect Lucius (Hiroshi Abe) becomes famous with designing the original "thermae" (bathhouse). He receives an order to build a thermae in the colosseum to help gladiators recover from their wounds, but faces difficulties. Thus, Lucius travels again to modern day Japan through the time slip. He meets Manami (Aya Ueto) again, who is now a reporter for a magazine which covers bathroom. With the help of the flat face Japanese tribe, Lucius again designs a new thermae. Meanwhile, Emperor Hadrian (Masachika Ichimura) wants to keep the peace with the thermae, but the Senate wants to extend the land by using force. Emperor Hadrian and the Senate now have a confrontation and Rome becomes divided.

A fairy tale of the misadventures of a beautiful but temperamental Neapolitan peasant, Isabella, when she meets the ill- tempered Spanish Prince Rodrigo Ferrante y Davalos. The King of Spain has ordered Rodrigo to choose a wife among seven Italian Princesses, but he is smitten by the lowly peasant.

Misery money-lender Arpagone is looking to arrange three weddings simultaneously - to cut down on costs. One for himself and the others for his two children. Of course he doesn't approve of the choices his son and daughter have made and conspires to arrange more well to do spouses against their will. However, fate will prove itself to be on the side of true love, not of the greedy.

Expatriate Henry Miller indulges in a variety of sexual escapades while struggling to establish himself as a serious writer in Paris.

The crew of a Polaris submarine, on a training mission simulating an attack on Russia, is stricken by toxic poisoning. One of the poison's effects is to make its victims hallucinate, and the sub's captain imagines that he has been given an order to actually attack Russia. He prepares to do exactly that.

"The Family," an album with a velvet cover, is meant to touch the extended family of man. Formal portraits, bookends in this 80-year saga, enclose the central story, which opens with the baptism of Carlo, a baby in his grandfather's lap, and ends with Carlo as a grandfather with a baby in his arms. And never once do we get out of the house, whose rooms provide the film's structure. Comfort or passion? Carlo couldn't really decide until it was too late.

An experiment of psychological effects under stressful conditions in a shelter. When fifteen strangers are put into a nuclear shelter to see how long they can survive without interaction with the outside, things work out fine.

An American couple bring their 10 year old daughter, Claire, to her grandfather Lawrence's hotel in The Dolomites, Italy. They usually come for Christmas but this year it’s August. The fact is they are breaking up, and once Claire realizes there’s not going to be a family Christmas this year, she insists on everyone making it out for Christmas in August. Claire, in collusion with her grandfather, plan activities that are designed to re-unite her parents.

Based on 'Il fu Mattia Pascal', one of Pirandello's many stories concerning the transitory nature of the intangibles "truth" and "identity". Mattia Pascal is a downtrodden average man, treated like trash by his fiancée, scorned by his associates, and cheated out of his inheritance by contemptuous relatives. The dispirited Pascal heads to Monte Carlo, accruing a fortune and also assuming the identity of a less fortunate gambler who killed himself. The "new" Pascal is treated with a dignity and respect that overwhelms him--and nearly kills him.

Federico Fellini welcomes us into his world of film making with a mockumentary about his life in film, as a Japanese film crew follows him around.

Mario, a tram-driver, and Silvio, a banker, make friends in the group of participants in a survival training course.

Daniela, a true Roman girl with a big face, weighs over a hundred kilos and always has the joke ready. She cohabits in a tiny apartment with her friend Luisa and works as an assistant to Maria Pace, owner of an art gallery.

In 1996, Marcello Mastroianni talks about life as an actor. It's an anecdotal and philosophical memoir, moving from topic to topic, fully conscious of a man "of a certain age" looking back. He tells stories about Fellini and De Sica's direction, of using irony in performances, of constantly working (an actor tries to find himself in characters). He's diffident about prizes, celebrates Rome and Paris, salutes Naples and its people. He answers the question, why make bad films; recalls his father and grandfather, carpenters, his mother, deaf in her old age, and his brother, a film editor; he's modest about his looks. In repose, time's swift passage holds Mastroianni inward gaze.

Tired of married life and of his profession, Carlo decides to leave the company he owns in the hands of his wife and leaves home to move to a rented house in the heart of old Rome. The man's son, Paolo, is a playwright looking for a coveted success and he too is looking for a new apartment: due to a mistake by the agency, they both end up sharing the same room. However, the two have an irreconcilable character and soon their differences come to light, with the situation taking a further unexpected turn with the arrival of the second son Giacomo and his wife Francesca, who is expecting a child.