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Steady Orbits

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Browse 5 movies from Steady Orbits

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I Used to Be Darker poster
Movie

When Taryn, a Northern Irish runaway, finds herself in trouble in Ocean City, MD, she seeks refuge with her aunt and uncle in Baltimore. But Kim and Bill have problems of their own: they’re trying to handle the end of their marriage gracefully for the sake of their daughter Abby, just home from her first year of college. A story of family revelations, looking for love and figuring out where to find it next.

I Used to Be Darker

Oct 2013

Aanikoobijigan [ancestor/great-grandparent/great-grandchild] poster
Movie

Trapped in museum archives, Ancestors bend time and space to find their way home. History, spirituality, and the law collide as tribal repatriation specialists fight to return and rebury Indigenous human remains, offering a revealing look at the still-pervasive worldviews that justified collecting them in the first place.

Aanikoobijigan [ancestor/great-grandparent/great-grandchild]

Jan 2026

Empty Metal poster
Movie

Adam Khalil and Bayley Sweitzer’s first feature as co-directors, Empty Metal takes place in a world similar to ours—one of mass surveillance, pervasive policing, and increasing individual apathy. The lives of several people, each inhabiting extreme poles of American social and political consciousness, weave together as each attempts to achieve some kind of forward motion, sometimes in contradiction, and always under the eye of far more controlling powers.

Empty Metal

May 2018

maɬni—towards the ocean, towards the shore poster
Movie

An experimental look at the origin of the death myth of the Chinookan people in the Pacific Northwest, following two people as they navigate their own relationships to the spirit world and a place in between life and death.

maɬni—towards the ocean, towards the shore

Jan 2020

Cane Fire poster
Movie

Cane Fire examines the past and present of the Hawaiian island of Kauai, interweaving four generations of family history, numerous Hollywood productions, and troves of found footage to create a kaleidoscopic portrait of the economic and cultural forces that have cast Indigenous and working-class residents as "extras" in their own story.

Cane Fire

May 2020