A modern story of an actress that is in a theatre. In a place designed for representation, for daily reenactments of human passions, the film is focusing on the cruel awakening of the actress to her true self. More precisely to an “ancient self”. The one most people edit out of their lives: the garbage self.

An attempt to translate Walter Benjamin's theory "On the Language as Such and on the Language of Man" into a montage using images from Tokyo's hightech amusement parks and artificial environments: precisely calculated acceleration and merry-go-round machines, sophisticated wave pools affecting bodies with promethic rhythms – how does the language of man and the language of things read in relation to the industrial development of hightech amusement parks and the calculability of sky-reaching affects? (Angela Melitopoulos) „There is no event or thing in either animate or inanimate nature that does not in some way partake of language, for it is in the nature of each one to communicate its mental contents on language as such and on the language of man.“ (Walter Benjamin: "On the Language as Such and on the Language of Man")