UCLA School of Film and Television

Francesco takes an unsparing look at the most pressing challenges of the 21st-century, asking deep questions about the human condition. The film is guided by Pope Francis who, with tremendous humility, wisdom, and generosity, offers moving lessons from his life that illuminate what it will take to build a better future. In doing so, he addresses issues such as climate change, immigration, peace and religious tolerance, LGBTQ support, gender and identity justice, and economic equality.

A chronicle of lives lost in a school shooting. In the wake of another tragedy, we get a glimpse of each victim and see who they were, who they loved, who they hurt, and who they wanted to be.

Harvey Milk was an outspoken human rights activist and one of the first openly gay U.S. politicians elected to public office; even after his assassination in 1978, he continues to inspire disenfranchised people around the world.

When Cassandra witnesses a drunken encounter between her friend and her roommate, she is compelled to investigate if it was consensual.

An Alien is sent to earth to investigate the "incubators." She discovers that she is replacing a rogue agent. She questions her mission.

The Angler claims he will use a toxin which will kill sea life unless a ransom is paid. Aquaman races to stop him.

With immigration forces in pursuit, Mary, an illegal foreign worker living in Israel, must decide between uprooting her son from the only place he calls home or risk being deported.

Serena starts reflecting on the commitment in her own relationship with Donielle when she is asked to be the maid of honor for her former lover Tisha's wedding.

Writer-director Robert Wheaton’s story of a shy guy, Mark (Parros), trying all the wrong moves to meet the right girl rides high on a romantic sensibility. Although at first it’s hard to imagine the handsome Mark having trouble with the ladies, Parros gives a charming performance as the nice guy who finishes last. UCLA’s north campus features prominently as this would-be Romeo’s ever-hopeful hunting ground.

A voodoo doll must find the courage to save his friends from being pinned to death.

In 1963 a boy and his mother are left in Saigon while his father and brother flee to seek shelter from religious persecution in North Vietnam. The two brothers meet as strangers in a hapless confrontation during the war in 1973.

Emmy-winning documentary by a UCLA student concerning undocumented Mexican workers' struggle on a flower farm in Northern California. The documentary traces the worker's struggle at Año Nuevo flower farm, who were denied proper housing, denied pay, and extorted by the flower farm owner, and their attempt to bring a civil lawsuit against him. Footage includes interviews with dozens of Año Nuevo workers and main organizers, lawyers representing the group, local and state employees, and the owner of Año Nuevo farm. The documentary weaves in a history of Mexican immigration to the U.S., the struggles associated with crossing the border, the economic history of Mexico, and the crisis of transnational production in Mexico, displacing access to food staples. Following the bureaucratic state involvement with Año Nuevo Housing department and wage violations, workers organized from 1977-1979 to bring civil suit against their employer.

As the sun rises, we witness two male bodies emerge from the darkness. The younger of the two attempts to sneak out on the older man he just slept with.

A prescient portrait of late-1970s Washington, D.C., that chronicles the city's creeping gentrification, the systematic expulsion of poor Black residents, and the community response in the form of the Seaton Street Project, in which tenants banded together to purchase buildings.

A man is trying to decide if he should go to Vietnam with the US army.

Lana Wilson has trouble in school because of racist discrimination, but at first, her parents don't believe her.

As a woman anxiously awaits her overdue period, she performs African-based rituals of purification. She cleans house and body, and calls on the spirits (Orishas in the Yoruba tradition), receiving much needed inspiration and assurance in a dream. The film combines beautifully intimate still and moving images of the woman’s body and home space, along with playful stop-motion sequences. —Jacqueline Stewart, UCLA Film and Television Archive

Jamaa Fanaka’s first project plays off the Blaxploitation’s genre conventions, an adaption of Goethe’s “Faust” presented with a non-synchronous soundtrack and superimposed over a remake of Super Fly (1972). Often out of focus with an overactive camera, the film immediately exudes nervous energy, but unlike Priest’s elegant cocaine consumption in Super Fly, Willie’s arm gushes blood as he injects heroin. A morality tale in two reels. —Jan-Christopher Horak

In the course of a botched purse-snatching, a boy comes to question the path of his life. Billy Woodberry’s second film, and first completed in 16mm, adapts Langston Hughes’ short story, Thank You, Ma’am, and features music by Leadbelly, Thelonious Monk and Miles Davis. (Ross Lipman)

A woman from Nigeria seeks work in the United States while her daughter struggles with premonitions and homesickness.