UCLA School of Film and Television

A night watchman at a shuttered, dimly lit factory runs into a bum who used to be a preacher that is trying to sleep away from the thunderstorm, but when the watchman kicks him out, the watchman gets cursed.

Depicts one woman's struggle with the responsibility of juggling two jobs at one time as both a garage mechanic and God's chosen messiah. She faces a rather difficult career decision as her true passion is in the first job while her effectiveness in the second job grows more questionable.

Ray Manzarek's 2nd U.C.L.A. student film from the spring semester of 1965. A sync-sound project, it is a tale of lovers lost and lovers found, with Dorothy Fujikawa, Kathy Zeller and Ray. Jim Morrison can actually be seen - albeit briefly - in the party sequence.

It is the story of a pacifist of the 60s, who, after living as a deserter for twelve years, decides to hand himself over to the authorities and face a legitimate political trial. Surprisingly, he discovers that no one cares who he is and what he has done. Emerging from his dirty basement, Leon realizes that the FBI has stopped looking for him and that President Carter has granted an amnesty. The old companions have become employees, their only "commitment" is now the family. The students of the universities refuse any political appeal. During an incredible party, given in his honor, Leon accuses his old friends of having stopped worrying, they tell him that life is much more complex than they believed in their youth. Having cut his hair, Leon also looks for a job. What he will be able to find, however, is the surprise of the last lines of the film.

Ben Caldwell’s Medea, a collage piece made on an animation stand and edited entirely in the camera, combines live action and rapidly edited still images of Africans and African Americans which function like flashes of history that the unborn child will inherit. Caldwell invokes Amiri Baraka’s poem “Part of the Doctrine” in this experimental meditation on art history, Black imagery, identity and heritage.

When Cassandra witnesses a drunken encounter between her friend and her roommate, she is compelled to investigate if it was consensual.

An educational music film promoting the values of UCLA.

An Alien is sent to earth to investigate the "incubators." She discovers that she is replacing a rogue agent. She questions her mission.

Harvey Milk was an outspoken human rights activist and one of the first openly gay U.S. politicians elected to public office; even after his assassination in 1978, he continues to inspire disenfranchised people around the world.

Daydream Therapy is set to Nina Simone’s haunting rendition of “Pirate Jenny” and concludes with Archie Shepp’s “Things Have Got to Change.” Filmed in Burton Chace Park in Marina del Rey by activist-turned-filmmaker Bernard Nicolas as his first project at UCLA, this short film poetically envisions the fantasy life of a hotel worker whose daydreams provide an escape from workplace indignities. —Allyson Nadia Field

Presents the story of a relationship between the haunted son of Holocaust survivors and a gentile woman

An improvised late '60s short-subject student film, and debut movie of Charles Burnett, done in the neo-realist, documentary film style. A day-in-the-life South Central L.A. tale about a rag-tag group of unemployed black male pals.

A man is trying to decide if he should go to Vietnam with the US army.

A woman from Nigeria seeks work in the United States while her daughter struggles with premonitions and homesickness.

A woman remembers an unwanted teenage pregnancy.

Francesco takes an unsparing look at the most pressing challenges of the 21st-century, asking deep questions about the human condition. The film is guided by Pope Francis who, with tremendous humility, wisdom, and generosity, offers moving lessons from his life that illuminate what it will take to build a better future. In doing so, he addresses issues such as climate change, immigration, peace and religious tolerance, LGBTQ support, gender and identity justice, and economic equality.

Serena starts reflecting on the commitment in her own relationship with Donielle when she is asked to be the maid of honor for her former lover Tisha's wedding.

Filmmaker Don Amis was one of the very few Black student filmmakers at UCLA (including Carroll Parrott Blue and Denise Bean) working in a documentary mode. In this film, preparations, parade and performances from the Craft and Folk Art Museum’s annual Festival of Mask illustrate L.A.’s diverse racial and ethnic communities (African, Asian, Latin American) expressing themselves through a shared traditional form.

A short drama directed by Joseph Neulight.

Emmy-winning documentary by a UCLA student concerning undocumented Mexican workers' struggle on a flower farm in Northern California. The documentary traces the worker's struggle at Año Nuevo flower farm, who were denied proper housing, denied pay, and extorted by the flower farm owner, and their attempt to bring a civil lawsuit against him. Footage includes interviews with dozens of Año Nuevo workers and main organizers, lawyers representing the group, local and state employees, and the owner of Año Nuevo farm. The documentary weaves in a history of Mexican immigration to the U.S., the struggles associated with crossing the border, the economic history of Mexico, and the crisis of transnational production in Mexico, displacing access to food staples. Following the bureaucratic state involvement with Año Nuevo Housing department and wage violations, workers organized from 1977-1979 to bring civil suit against their employer.