UCLA School of Film and Television

A short drama directed by Joseph Neulight.

A chronicle of lives lost in a school shooting. In the wake of another tragedy, we get a glimpse of each victim and see who they were, who they loved, who they hurt, and who they wanted to be.

When Cassandra witnesses a drunken encounter between her friend and her roommate, she is compelled to investigate if it was consensual.

Depicts one woman's struggle with the responsibility of juggling two jobs at one time as both a garage mechanic and God's chosen messiah. She faces a rather difficult career decision as her true passion is in the first job while her effectiveness in the second job grows more questionable.

An early student short directed by Francis Ford Coppola while studying at UCLA’s School of Theater, Film and Television. The film served as the basis for his first feature, Tonight for Sure (1962), incorporating scenes and ideas first developed in this project.

Daydream Therapy is set to Nina Simone’s haunting rendition of “Pirate Jenny” and concludes with Archie Shepp’s “Things Have Got to Change.” Filmed in Burton Chace Park in Marina del Rey by activist-turned-filmmaker Bernard Nicolas as his first project at UCLA, this short film poetically envisions the fantasy life of a hotel worker whose daydreams provide an escape from workplace indignities. —Allyson Nadia Field

Francesco takes an unsparing look at the most pressing challenges of the 21st-century, asking deep questions about the human condition. The film is guided by Pope Francis who, with tremendous humility, wisdom, and generosity, offers moving lessons from his life that illuminate what it will take to build a better future. In doing so, he addresses issues such as climate change, immigration, peace and religious tolerance, LGBTQ support, gender and identity justice, and economic equality.

Harvey Milk was an outspoken human rights activist and one of the first openly gay U.S. politicians elected to public office; even after his assassination in 1978, he continues to inspire disenfranchised people around the world.

A man is trying to decide if he should go to Vietnam with the US army.

Writer-director Robert Wheaton’s story of a shy guy, Mark (Parros), trying all the wrong moves to meet the right girl rides high on a romantic sensibility. Although at first it’s hard to imagine the handsome Mark having trouble with the ladies, Parros gives a charming performance as the nice guy who finishes last. UCLA’s north campus features prominently as this would-be Romeo’s ever-hopeful hunting ground.

It is the story of a pacifist of the 60s, who, after living as a deserter for twelve years, decides to hand himself over to the authorities and face a legitimate political trial. Surprisingly, he discovers that no one cares who he is and what he has done. Emerging from his dirty basement, Leon realizes that the FBI has stopped looking for him and that President Carter has granted an amnesty. The old companions have become employees, their only "commitment" is now the family. The students of the universities refuse any political appeal. During an incredible party, given in his honor, Leon accuses his old friends of having stopped worrying, they tell him that life is much more complex than they believed in their youth. Having cut his hair, Leon also looks for a job. What he will be able to find, however, is the surprise of the last lines of the film.

When an aged man feels the need to confess to the new catholic priest, his gay lover of many years is hurt and upset.

Ben Caldwell’s Medea, a collage piece made on an animation stand and edited entirely in the camera, combines live action and rapidly edited still images of Africans and African Americans which function like flashes of history that the unborn child will inherit. Caldwell invokes Amiri Baraka’s poem “Part of the Doctrine” in this experimental meditation on art history, Black imagery, identity and heritage.

Serena starts reflecting on the commitment in her own relationship with Donielle when she is asked to be the maid of honor for her former lover Tisha's wedding.

Interviews with single black parents.

Lana Wilson has trouble in school because of racist discrimination, but at first, her parents don't believe her.

The Angler claims he will use a toxin which will kill sea life unless a ransom is paid. Aquaman races to stop him.

An improvised late '60s short-subject student film, and debut movie of Charles Burnett, done in the neo-realist, documentary film style. A day-in-the-life South Central L.A. tale about a rag-tag group of unemployed black male pals.

In 1963 a boy and his mother are left in Saigon while his father and brother flee to seek shelter from religious persecution in North Vietnam. The two brothers meet as strangers in a hapless confrontation during the war in 1973.

In common with many L.A. Rebellion films, Snake touches on such themes as institutionalized racism, colonialism and the plight of women of color. Narrated in the first person by the filmmaker as an epistle to her son, The Snake in My Bed tells Diegu's story as a Nigerian woman in Lagos who is romantically pursed by a German national who has “gone native.” Despite his secretive and duplicitous actions, she eventually agrees to marry him and has his child, only to learn that he is a bigamist with a German wife and child.