Ten director graduates from Marina Razbezhkina’s School of Documentary Film and Documentary Theatre lived with a camera for two months in order to chronicle the last “Russian winter” and its popular uprising against Vladimir Putin’s presidential run. People, faces, conversations, protests, failures and triumphs come together to chronicle the campaign.

Viktor Ryzhakov takes charge of the Sovremennik theatre after the death of Galina Volchek, who led the troupe for almost half a century and enjoyed absolute authority. For the theatre’s first new production, the new artistic director chooses a play about a family whose members have ceased to understand each other. While working on the play, the director and actors become more and more like the characters in the future production, and find it increasingly difficult to find mutual understanding within their “theatrical family.”

Fly-on-the-wall documentary on the day-to-day life of Evgeniy Alyokhin, russian poet and musician, and his girlfrend Oksana.

A provincial Russian family killed off by suicide, murder and manslaughter and a boy who asks about guilt and forgiveness in the midst of all this squalor. Shockingly great.

The demonstrators on the streets of Moscow in July 2019 want just one thing: fair elections. Despite their peaceful protest, 2,700 activists are arrested and hundreds are injured. The active camera places the viewer at the heart of the demonstrations, among the pushing and shoving of the chanting crowds. “You should be protecting us!” shouts a young woman at a soldier, and two big men come and take her away.

Russian photographer Maksim Dmitriev liked reality, and in the beginning of the 20 century, he photographed bums, workers, farmers, bankers, and monks. Hundred yours later we showed these photographs to nowadays heroes. And they recognized each other.

Тrue Kazakh girls don’t marry Russians. This is what grandma Zeinegul believes in. But her beloved granddaughter disobeyed her will. Many years later the girl comes back to Kazakhstan. Her mother drinks, her grandma prays, her father got married again, but she wants to take a picture of her whole family, just like the one they took years ago when she was a child. The picture of the family she loves and hates so much.

They say that if a daughter looks like a father, then she will certainly be happy. But what if you look like a person whom you have never seen in your life? And all you know about him is speculation, fantasy and a small bronze figure.

Every evening a group of grandmothers-druzhinnits appears on the outskirts of Kaluga. Almost all of them over eighty. Armed with red armbands and a formidable word, they come out to clean up their neighborhood. To local drunkards to drink in a court yard became much more difficult.

The documentary follows the life of Farroukh, a young Tajik immigrant who lives in Moscow outskirts with his family and does odd jobs in dreams of becoming an actor.

In a small village on the slopes of the former coal mines, Oleg Pavlov, the father of many children, screens the "Little Prince" of Exupery. The camera is the cheapest, bought for retirement. In the roles - Oleg and his four children. Two years of filming and editing - and journalists from all over Russia are on a visit to an amazing creative and friendly family. But the family never calls his father at the table. Children refuse to go to the premiere of the film. And Oleg himself does not go to spend the eldest daughter, when she leaves to live in another city. He just sleeps. And no one wakes him up.

Mark is 18, and his buddy Kirill is 20. They’ve been friends for just a month but they’re obviously meant for each other. They both crave attention and have a provocative attitude to the world around them. They dance together on the railings of Moscow’s Krymsky Bridge, gatecrash parties, hang out on their skateboards, challenge authority figures and mouth off to everyone who crosses their path. “I’m young, I can do what I want,” Kirill tells us.

Two people are on the road. Everyday life, business calls, games, a curve of the highway, a swing and again business calls... During this year the father and the daughter have not seen much of each other and they have not been alone for a long time. Two cameras are looking face to face; different fears inhabit one and the same space. There is a question: should they come back or should they continue traveling together?

The last few years, Matthew and Kate live in the village. An event occurs in their lives that leads to a radical redefinition of relationships. The past and the present are intertwined into one confused story in which the characters lose sleep, drive each other out of the house, rush into the arms, starting a new circle. And precisely at this time friends from Berlin come to visit them.

Sakhalin is a distant island. It is swept away by April snowstorms, and if you leave there, then forever. And if you stay, then for good and for great love. Masha turns thirty, and she still hasn't left. And she still hasn't stayed. She can't decide. Or decide.

Two twin brothers. Bright and charismatic. One paints temples, the other writes musicals. And for three years they have not communicated and live in different cities. What has separated them? Different views on life and creativity or love for the same girl?

Everyone has their own buzz. For him, the high is war. He was in love with the war as a woman, and the feelings did not go away. He can't go back into battle. All he has now is the house of mercy, the monastery on the next street, and the desire to start a different life.

Faced with the relentless demise of the factory they work at, Mikhail, Andrey, Nina, Vladimir, Nadia and Luda – bosses, foremen, engineers and workers at the giant Moscow automobile plant ZIL – cling to their established routines and professional pride to stay upright in a world which is crumbling around them. When an order comes in to produce three of the factory’s legendary hand-made limousines, once the centerpiece of Soviet military parades on Moscow’s Red Square, Mikhail’s team of hand-picked specialists throws itself at the opportunity to show what they are worth.

In the circus tent „Joy” the same thing happens every day – they dismantle and assemble the tent with a dome full of stars, give performances, and move on to the next place. Lynx and parrot trainers quarrel over every little thing, and Valera the clown always performs alone. Until one day a new partner joins him, the clown Yana, and he starts to dream about conquering the world of the circus together with her.

Graduated of the institute, Nikita comes to work at the best Kostroma’s factory. Now it is essential for him to learn how to dust down the veneer sheets and to put them into the dryer in the right way.