M. Razbezhkina and M. Ugarov Academy

Fly-on-the-wall documentary on the day-to-day life of Evgeniy Alyokhin, russian poet and musician, and his girlfrend Oksana.

The demonstrators on the streets of Moscow in July 2019 want just one thing: fair elections. Despite their peaceful protest, 2,700 activists are arrested and hundreds are injured. The active camera places the viewer at the heart of the demonstrations, among the pushing and shoving of the chanting crowds. “You should be protecting us!” shouts a young woman at a soldier, and two big men come and take her away.

Russian photographer Maksim Dmitriev liked reality, and in the beginning of the 20 century, he photographed bums, workers, farmers, bankers, and monks. Hundred yours later we showed these photographs to nowadays heroes. And they recognized each other.

In the circus tent „Joy” the same thing happens every day – they dismantle and assemble the tent with a dome full of stars, give performances, and move on to the next place. Lynx and parrot trainers quarrel over every little thing, and Valera the clown always performs alone. Until one day a new partner joins him, the clown Yana, and he starts to dream about conquering the world of the circus together with her.

It takes 20 minutes on foot to get from the town of Nikola-Lenivets to the village of Zvizzhi. Nikola-Lenivets is the site of Arkhstoyaniye, a most fashionable festival of landscape objects. Zviszhi is the place where Val'ka, Lyudka, Zhen'ka and a sixty-year-old "dolly" Natasha live. Natasha lives with Valerka, a guy who served a term for murder because he knows how to fix electric wires. Valerka prefers to pass his nights with Zhen'ka. Val'ka was once Lyudka's kindergarten teacher; now they spend time together in a vegetable garden drinking denatured alcohol. "Fashionable" festival people and "degraded" Zviszhi people never heard about each other. But one day, village people decide to go visit their neighbors during the festival...

How to become another person in 30 days? Find a way to try 30-year-old Albina, who is in search of a good well-paid job. To make a difficult path to updating Albina, not only home-based online learning helps, but also the Challenge diary, which daily challenges the girl.

A simple journey from point A to point B turns into an equation with a lot of unknowns, if you are 20 years old and you are Kolya.

Faced with the relentless demise of the factory they work at, Mikhail, Andrey, Nina, Vladimir, Nadia and Luda – bosses, foremen, engineers and workers at the giant Moscow automobile plant ZIL – cling to their established routines and professional pride to stay upright in a world which is crumbling around them. When an order comes in to produce three of the factory’s legendary hand-made limousines, once the centerpiece of Soviet military parades on Moscow’s Red Square, Mikhail’s team of hand-picked specialists throws itself at the opportunity to show what they are worth.

In this documentary, we are not going to discover anything about the eponymous musical genre, but instead we will meet a group of workers dismantling a high-rise building made of concrete and metal. The filmmakers observe and register their labour using ingenious, visually stunning images, sometimes joined into several composition plans.

The Chechen Ruslan Arsajev seizes every opportunity to fight against the Russians, including in Ukraine. A portrait of a displaced mercenary from the front line of the crisis.

Can one escape from family to get into a mental hospital? An overdose of drugs – and you are “free”. Now Dasha lies on a hospital bed, paints and smokes. She smokes. And smokes. And smokes... A closed space of the mental hospital is more and more hard to endure. How much is she going to stay in this box? A day of discharge comes. She is going to return back home.

Everyone has their own buzz. For him, the high is war. He was in love with the war as a woman, and the feelings did not go away. He can't go back into battle. All he has now is the house of mercy, the monastery on the next street, and the desire to start a different life.

They say that if a daughter looks like a father, then she will certainly be happy. But what if you look like a person whom you have never seen in your life? And all you know about him is speculation, fantasy and a small bronze figure.

Two different worlds. On the one hand - porters, who bear pianos. On the other hand - people, who the porters visit – musicians, new Russian “middle class”. What is the dialog between them? How does it clear for each of them - what is the musical instrument for?

Nikita Yefimov brings his camera into a Russian high-security detention centre. The head of the penitentiary department offers to personally enact moments from prison life to control its image.

SPARTA is the Agricultural Poetized Association for the Development of Labor Activity. This is how the commune calls itself, which has been engaged in the development of the "Theory of Happiness" in the Ukrainian village "Karavan" for more than 20 years. Unable to reconcile with the collapse of communist utopia, the "Spartans" created their own.

Two people are on the road. Everyday life, business calls, games, a curve of the highway, a swing and again business calls... During this year the father and the daughter have not seen much of each other and they have not been alone for a long time. Two cameras are looking face to face; different fears inhabit one and the same space. There is a question: should they come back or should they continue traveling together?

What is going to happen if the painting of the great Dutch artist suddenly comes to life in a half-abandoned Russian village?

The whole life of this village was concentrated in one shop. To the saleswoman Tatiana go for chicken, vodka and medicines; go to learn news, bask, ask for money, complain, celebrate holidays. All roads lead to the "Products".

A Russian girl, a Kurdish father. The father lives in Syria, in a town near the Turkish border. The girl joins him to meet her new family and... to find her lost roots. Everything moves forward in fragments, of time and of space. It is not only an aesthetic choice. It is a form consistent with the state of war, with the fragility of existences, with the capturing of reality by the body and by the spirit. But everything moves forward, in its way, carried along by a painful energy that obstinately perforates the borders.