Les Films du Camélia

After his father's death, a young man is introduced to a world of hedonism and depravity by his amoral mother.

Iris, a woman abroad in Seoul, teaches French and English in an idiosyncratic fashion that allows her to pursue her own philosophical and personal interests. Through four encounters over a single day, Iris probes students and strangers for information about poetry, their own histories, and their relationship to their egos.

Sidonie Perceval, an established French writer, is mourning her deceased husband. Invited to Japan for the reedition of her first book, she is welcomed by her local editor who takes her to Kyoto, the city of shrines and temples. As they travel together through the Japanese spring blossoms, she slowly opens up to him. But the ghost of her husband follows Sidonie: she will have to finally let go of the past to let herself love again.

Police officer Lucie’s solitary daily life is disturbed by the arrival of a young couple and their little girl who move in next door. As she grows fond of them, she discovers that the father is an anti-police activist.

Claire is a beautiful young woman who works at her late father’s hotel, that is now managed by her evil stepmother Maud. Claire unwittingly sparks uncontrollable jealousy in Maud, whose young lover has fallen in love with Claire. Maud decides to get rid of Claire who finds shelter in a farm where she’s allowed to break free from her strict upbringing through encounters with seven “princes.”

France, World War II. In order to somehow make ends meet, the mother of two children, Marie Latour, does underground abortions and rents a room to a familiar prostitute. She doesn't pay any attention to her husband, who returned from the war because of his injury, and lives her own life. Abortions gradually begin to bring a good income, and boredom can be easily dispelled by starting up with a young lover.

On a business trip to the Cannes Film Festival, Manhee is accused of being dishonest, and fired. A teacher named Claire goes around taking photos with a Polaroid camera. She gets to know Manhee and sympathizes with her. Claire is like a person who can see Manhee's possible future or past selves, through the mysterious power of the beach tunnel. Through taking photos, Claire has acquired the ability to look slowly at things, and to transform objects. Now, Claire goes with Manhee to the café where she was fired. We look forward to seeing Claire's power at work.

Isabelle Huppert's first one-character project — out of the blue, an electrifying, form-smashing tour de force, capturing (for those with ears to hear) our current moment.

Alma, alone in her big townhouse, and Mina, a single mother from a housing project in another city, have organized their lives around the prison visits they make to their respective partners. When the two women meet in the room outside the visiting area, an unlikely friendship begins...

Overwhelmed when a figure from her past reemerges, Joan Verra retreats to the countryside with her son Nathan. There she experiences fragmented recollections of her past romantic encounters.

A time capsule of New York City between August 13-15, 1965, framed by the Beatles’ arrival in the city and their first concert at Shea Stadium. The film consists exclusively of archive material from the period (ABC, CBS, NBC), 8mm home movies and images of the concert, which was recorded with fourteen 35mm cameras. Four teenagers are sent on a trip through time and inserted in the archive material by means of animation.

Today, Camille turns nine. He had sworn that on his 9th birthday he would show his parents the videos he was shooting on the side - the tail of a cat scampering away, a window, and a veiled woman's face - an intriguing picture... Later that day, Camille's mother, Ariane, meets up with her son in the park. The boy appears perturbed. He is leaning against a tree, eyes cast down. He says that now he wants to return to his "real home" and his "real mother."

Late 17th Century: Anne de Grandcamp and Lucie de Fontenelle, two little girls from Normandy, arrive at the Saint-Cyr school founded by Madame de Maintenon for educating the daughters of impoverished nobles ruined in wars and making them into free women. Madame de Maintenon is the secret wife of Louis XIV, and empowered by his support, she offers "her" two hundred fifty girls a playful and avant-garde education. Anne and Lucie, two inseparable friends, allow themselves to be carried away by the promise of a bright future. But Maintenon has arrived at the pinnacle of power through scheming and debasing herself and she now fears the fires of hell. She is counting on her model school to atone for her past sins.

Irene moves to Paris to begin a new life with her husband Jason and their two daughters, but an act of betrayal and her desire for revenge soon sends her to the brink of madness.

On an island in the Mediterranean, at the height of summer, thirteen-year-old Agostino discovers that he has suddenly grown up. Amidst scorching beaches and murky waters, he experiences a summer that pushes him beyond the boundaries of innocence. The discovery of his body and his identity become a sensory inner journey, further shaped by his relationship with his mother, a forty-year-old widow who is still quite attractive. In an emotional chiaroscuro, Agostino faces his first painful metamorphosis into adulthood.