After having spent more than 25/30 years in music, six rockers, each in their own way, walk this winding and mysterious path of creation. How difficult it is for them to get out to work in the face of a changing system. The film tells his deepest thoughts about music. We see them at home, in small shows where only a few friends and a few fans attend. Also great shows, where the whole world applauds them. The film portrays the problem of being geniuses and how difficult it is to make a living from music while being authentic.

In the bohemian 1980s, a group of friends based in Paris decide to open a tango club, unknowing that from that little place tango would re-emerge around the world. The film recreates the mythical Trottoirs de Buenos Aires, where famous singers performed, such as Polaco Goyeneche, Rubén Juárez and Susana Rinaldi, under the tutelage of Julio Cortázar.

Documentary about the Pachecos, a family of folklorists from the city of Dean Funes (Córdoba), which brings together more than 60 members, all musicians.

The life and work of Miguel Abuelo, the leader and singer of Los Abuelos De La Nada. His songs, poems and lesser known and unpublished photos are discovered along with his great successes. During a whole night, his son Gato Azul travels the city on a motorcycle. As the only heir, he collects photos and poems of his father in different parts of the city.

David and Lina met through letters during the military dictatorship in Argentina. Without knowing their future, they fell in love. Their exchange of letters forged a love affair behind bars.

Even today there is still a certain resistance to recognizing the aesthetic revolution caused by Virus in the early eighties. The audacity of Federico Moura at the head of the La Plata's band exceeded the limits of rock and is still a source of art-pop knowledge. Imágenes Paganas explores that tension and rejection in times of dictatorship, a scourge that the Moura family paid with the disappearance of Federico's older brother. The documentary by Costantino inaugurates a time of historical reparation with Federico Moura as a warrior of modernity.