National Endowment for the Arts

A musical horror story about two young women who are stalked through a shopping mall by a cannibal. He follows them home, and here the victims become the aggressors.

"Marlborough" and "The Arab", lounging on the pool terrace, are alienated characters in some future time, living in a world where art work comes to life, phones continuously ring, televisions hum all night, and smog seeps into their brains. Preserved by the Academy Film Archive.

A celebration of Dr. Maya Angelou by weaving her words with rare and intimate archival photographs and videos, which paint hidden moments of her exuberant life during some of America’s most defining civil rights moments. From her upbringing in the Depression-era South to her swinging soirees with Malcolm X in Ghana to her inaugural speech for President Bill Clinton, we are given special access to interviews with Dr. Angelou whose indelible charm and quick wit make it easy to love her.

This winner of the 1993 Academy Award for Best Documentary Feature details the case that the 1989 invasion of Panama by the US was motivated not by the need to protect American soldiers, restore democracy or even capture Noriega. It was to force Panama to submit the will of the United States after Noriega had exhausted his usefulness.

On March 11, 1959, Lorraine Hansberry’s 'A Raisin in the Sun' opened on Broadway and changed the face of American theater forever. As the first-ever black woman to author a play performed on Broadway, she did not shy away from richly drawn characters and unprecedented subject matter. The play attracted record crowds and earned the coveted top prize from the New York Drama Critics’ Circle. While the play is seen as a groundbreaking work of art, the timely story of Hansberry’s life is far less known.

A philosophical flume ride through the physical, political and moral borders that inhibit the free movement of people and ideas. Mixing commentary, computer graphics, dramatizations, and investigative journalism, Borders probes the unsettling paradoxes behind immigration, drugs, Star Wars, and other topics.

A performance piece written by Sam Shepard, enacted by Joseph Chaikin and directed by Shirley Clarke, a dying man reflects on his life while delivering his own last rites.

In the early 1970s, a group of secretaries in Boston decided that they had suffered in silence long enough. They started fighting back, creating a movement to force changes in their workplaces. This movement became national, and is a largely forgotten story of U.S. twentieth century history. It encapsulates a unique intersection of the women’s movement with the labor movement. The awareness these secretaries brought to bear on women’s work reverberates even today. Clericals were the low-wage workers of their era. America now confronts the growing reality of deep income inequality. The stories and strategies of these bold, creative women resonates in contemporary America.