Courant registered Garrel’s dialogues in order to produce his first urgent film, the first of his essays inquiring the state of current cinema. As a synthesis for the 20th century, Garrel invoked his relationship with Freud, Henri Langlois, Orson Welles, Marx, The Rolling Stones, Godard, Warhol, Picasso and Bergman and draw a territory in that different kind of cinema also inhabited by Courant’s art. Four years later –as a sequel, and a first example of Courant’s series– there was another meeting with Garrel, where again the filmmaker adds names related to his sensitivity, such as Murnau, Von Stroheim, the Lumière brothers, Abel Gance, Polanski, Rivette; the writers André Breton and Gabriele d’Annunzio; and the actresses Anna Karina, Nico, Zouzou and Maria Schneider –three stars of his films. (Diego Trerotola)

On the occasion of the 7th meetings of Digne, Pour un autre cinéma, organized by Pierre Queyrel and which presented a retrospective of Philippe Garrel's cinematographic work, this film is the sound recording of the discussion that the filmmaker made with the audience after the screening of his films Marie pour mémoire, Athanor, Voyage au jardin des morts and Le Bleu des origines.

A simple, modest and faithful record of some moments at the Lucca Film Festival in October 2010, with songs and speeches by Abel Ferrara: trace of the co-presence of two of the greatest contemporary filmmakers, dissident and true sons of Cesare Zavattini’s revolutionary spirit.

The episode of Gérard Courant's Carnets filmés, Crime contre le cinéma (December 25, 2006 to December 2, 2006) is divided into four parts: Colas Ricard at Centre Pompidou, Joseph Morder at La Rochelle, the Filmer à tout prix Festival in Brussels, and Michel Nedjar and Jakobois at Centre Pompidou.

30 years after their artistic revolution, members of the Zanzibar group meet in 1999 in Saint-Sulpice Square in Paris (France) in front of Gérard Courant's camera.

Gérard Courant's "Filmed Diary" of December 14, 2011, produced in Dubai (United Arab Emirates). Between December 7 and 15, 2011, Gérard Courant was invited by the Dubai International Film Festival, in the United Arab Emirates. It was an opportunity for him to film many "Cinematons" of personalities from the Arab world and to continue his "Film Notebooks" from which he brought back 7 episodes.

Swiss filmmaker Daniel Schmid died on August 5, 2006, and German filmmaker Werner Schroeter on April 12, 2010. They were close friends, and along with Jean Eustache, Rainer Werner Fassbinder and Philippe Garrel were the most innovative filmmakers of the post-New Wave era.

"Pons" is a film made of a single fixed-sequence shot, lasting half an hour, which shows the Ain river and the Priay bridge spanning it.

City of his childhood, Dijon and his friends are the heart of this Carnet Filmé.

Ventus is a film made up of a single, half-hour-long, fixed sequence shot that shows the effects of wind on trees in the village of Priay, in the Ain department.

To mark the 30th anniversary of Kodak's invention of the Super 8 format, the Close Encounters of the 8th Type in Tours, France, asked filmmakers to make a film in this format. I was the only filmmaker to respond favorably to this request, and I created a tribute to 1965 by "compressing" a cult film from that year: Jean-Luc Godard's Alphaville . Jean-Luc Godard's Alphaville Compression is a 25-fold reduction of Alphaville , the 1965 masterpiece Jean-Luc Godard directed, starring Anna Karina, Eddie Constantine, Howard Vernon, and Akim Tamiroff, from a runtime of 1 hour 30 minutes into a 4-minute film. The film is "compressed" in the manner of a work by César. But unlike the work of this artist, who compressed everyday objects, Jean-Luc Godard's Alphaville Compression compresses an artistic object! The feat and challenge of Jean-Luc Godard's Alphaville Compression was to create a total compression: in this film, not a single shot from the original film is missing!

The films of Marilyn Monroe, sped up by Gerard Courant.