Les Archives de l’Art Cinématonique

Gérard Courant's "Filmed Diary" of December 14, 2011, produced in Dubai (United Arab Emirates). Between December 7 and 15, 2011, Gérard Courant was invited by the Dubai International Film Festival, in the United Arab Emirates. It was an opportunity for him to film many "Cinematons" of personalities from the Arab world and to continue his "Film Notebooks" from which he brought back 7 episodes.

A simple, modest and faithful record of some moments at the Lucca Film Festival in October 2010, with songs and speeches by Abel Ferrara: trace of the co-presence of two of the greatest contemporary filmmakers, dissident and true sons of Cesare Zavattini’s revolutionary spirit.

30 years after their artistic revolution, members of the Zanzibar group meet in 1999 in Saint-Sulpice Square in Paris (France) in front of Gérard Courant's camera.

On the occasion of the 7th meetings of Digne, Pour un autre cinéma, organized by Pierre Queyrel and which presented a retrospective of Philippe Garrel's cinematographic work, this film is the sound recording of the discussion that the filmmaker made with the audience after the screening of his films Marie pour mémoire, Athanor, Voyage au jardin des morts and Le Bleu des origines.

To mark the 30th anniversary of Kodak's invention of the Super 8 format, the Close Encounters of the 8th Type in Tours, France, asked filmmakers to make a film in this format. I was the only filmmaker to respond favorably to this request, and I created a tribute to 1965 by "compressing" a cult film from that year: Jean-Luc Godard's Alphaville . Jean-Luc Godard's Alphaville Compression is a 25-fold reduction of Alphaville , the 1965 masterpiece Jean-Luc Godard directed, starring Anna Karina, Eddie Constantine, Howard Vernon, and Akim Tamiroff, from a runtime of 1 hour 30 minutes into a 4-minute film. The film is "compressed" in the manner of a work by César. But unlike the work of this artist, who compressed everyday objects, Jean-Luc Godard's Alphaville Compression compresses an artistic object! The feat and challenge of Jean-Luc Godard's Alphaville Compression was to create a total compression: in this film, not a single shot from the original film is missing!

"On the occasion of the premiere of Nel Regno di Napoli in Cannes in 1978, Werner Schroeter gave me an audio interview about this film and about his work in general. Our meeting took place on the terrace of the Hotel Majestic, in the midst of excitement of the Cannes festival life, a few days after the screening of Nel Regno di Napoli and in the presence of the photographer Jean-Claude Moireau. Vivre à Naples et mourir is the audio capture of that informal meeting that happened on 20 May 1978 and which is, as per director's wish, more like a casual conversation than an interview in the strict sense of the term (a set of questions and answers).

This film is an audio interview of Louis Skorecki, filmmaker and film critic for Cahiers du cinéma, by Patrice Kirchhofer and Gérard Courant. This interview, later put into images by Gérard Courant, is centred around the feature film Eugénie de Franval, based on Sade's novella, which Louis Skorecki shot in 1974 and which was awarded the prize of "la porte entrouverte" at the festival of young cinema in Toulon in 1975 by the jury composed of Marguerite Duras, Shuji Terayama and Dominique Noguez.

9th part of the Decalog Night : a ghost wandering in various districts of Paris filmed with a cell phone and transformed into mirror images - the negative.