School of Design, Hong Kong Polytechnic University

The year is 2021. And Hong Kong is one match away from qualifying for the World Cup. Flash back to 2009. Cheuk-long, aged 18, branded a geek by his girlfriend and an all-round loser by his mother. But he has a dream, ignited by a no-nonsense, Churchill-quoting teacher and driven by a spirited, big-hearted coach. The wannabe footballer grows up overnight, and through blood, toil, tears and sweat, makes the big leaps from the substitute's bench to captaining the Hong Kong side. Three World Cups later, Cheuk-long is one free kick away from making history and legend.

A pair of young highschool lovers fight against a hitman organisation, with violence, forgiveness and redemption. And they built a carousel just for fun.

Lee Chi Ho is a science lover however he need to give up for his dream because of his family. He believes that the Earth is flat but he didn’t tell anyone about this weird idea. One day he meets a strange uncle who live in a mysterious spaceship and full of Flat Earth documents inside. Moreover, Lee’s son also believes that the Earth is flat but everyone in the school laugh about him, including the teacher. To prove what he believes for his son, he eventually decided to fly to the space with the uncle's spaceship.

When a dangerous alien creature attacks Hong Kong and disrupts our harmonious society, the People's Liberation Army sends out its greatest weapon - A giant Lei Feng robot controlled by elite operators from Mainland China, Macau, and Hong Kong. But when even the best of Mainland Chinese technology fails us, there's always one man we can count on: Gwangong, the legendary hero who stands for loyalty, justice, and righteousness. This ambitious, larger-than-life sci-fi action satire shows that faith is the greatest weapon we have against even the greatest evil.

Fantasies, dreams, tears, and fears of four women chasing and watching each other in post-colonial Hong Kong. They chase, seduce, resist, and fantasize about each other. A Hong Kong that is as fake as real provides the perfect setting for their games, secrets, screams and tears. “Made-in-China Chan” (in Cantonese: Chan Kwok Chan) works as a stripper in cyberspace, but she often has headaches. Her only solace is from a Mainlander migrant who echoes what Chan does but with a better attitude. Nicole has money and power but she depends on “Made-in-China” to play with virtually at night in order to get some sleep. Zero does not have anything, but she knows what she wants and is determined to get it. Four women meet in a Hong Kong somewhere in the future. How do their desires manifest themselves in this Forbidden City? From totally different backgrounds, they look like they have very different problems, but do they?

It all begins with an affair staged at a traditional Chinese funeral offerings store with the leading actress being the boss’s wife. Witnessed by an unidentified pair of eyes, the affair is followed by the sudden death of the boss caused by a bowl of soybean pudding. He is desperate to know the truth about the affair in his afterlife. Eventually he is brought back to the piece of memory that entangles among two boys and a girl, on fighting for their pride through a slingshot battle against the boss of students.

A seemingly innocent romance between two people is destroyed by reality in Step on Grass. Under most circumstances, “she” and “he” would be together happily ever after. However, the problem is that “she” is a teacher, and “he” is her student. The nature of their relationship may be pure, but society will always see it as improper due to their identities. Soon, one step in the wrong path sends their lives further spiraling out of control, and “she” is forced to make a decision.

"Postcolonial Queen" is a video poem and collage film that satirizes Hong Kong's complex identity through dance, city visuals, and a reenactment of Queen Elizabeth II's visit. It captures nostalgic memories shaped by colonial history, using bamboo scaffolding to represent societal changes and mirrors to reflect surface-level modernity, hinting at deeper identity questions. The narrative weaves together collective memories and personal stories, contrasting the historical event of the queen's visit with a young woman's reflections on her past relationship. This intermingling of narratives invites viewers to explore the fluidity of identity and the evolving essence of Hong Kong amid tensions between progress and tradition.

A mistake at the hospital cost a life and a young woman sits on the rooftop and wants to kill herself. Who is to be blamed? The rigid system or indifferent people? For Ng Ho Yin, there is no simple explanation. Adopting a bold approach, he reconstructs the incident in an unconventional order to highlight different individuals personal experience. By doing so, he is also posing a critique on the collective mentality of witch-hunting.