1942, in the middle of Northeastern Brazil, two very different men meet along the road: Johan, an aspirin salesman avoiding the German draft, and Ranulpho, a rural Brazilian seeking escape from the drought.

In an empty city, scorched by the sun, the young and old confuse the fever of sunstroke with the delicate birth of passion. Like ghosts, they hover around buildings and endless flatlands in search of the ever elusive love. Inspired by 19th century Russian short stories, the plots weave and unravel together in the improbable city of Brasilia – a distorted mirror-image of the Soviet utopia – located in the heart of the Brazilian desert.

In a Portuguese village by the sea, a family sees their house become a transit point to innumerous migrants due to a passport forgery business created by its patriarch, Vítor, and his Spanish ex-wife Fernanda. His Russian wife Liza and his son Mauro—who stops talking—see the newcomers alter the dynamics, relationships and aspirations of the house's residents.

Pierre is seventeen and in the middle of puberty. He plays in a band, has sex at parties and secretly tries on women’s clothing and lipstick in front of a mirror. Ever since his father’s death, his mother Aracy has looked after him and his younger sister Jacqueline, spoiling them both. But when he discovers that she stole him from a hospital when he was a new born baby, Pierre’s life changes dramatically. In her new film, director Anna Muylaert explores the mother-child relationship through the eyes of a rebellious son whose whole world unravels overnight.

Silmara, an industrial worker and a woman of exuberant beauty, supports her arsonist father and gets involved with two different pop stars, from whom she learns traumatic life lessons.

Clara, a lonely nurse from the outskirts of São Paulo, is hired by mysterious and wealthy Ana as the nanny for her unborn child. The two women develop a strong bond, but soon Clara discovers a terrifying secret about the child.

The story of the decline of the Soares family in the final months of the 19th century. Isabel is the dying mother, and her daughters are Maria and Ana. The three women try hard to forget about their pasts in the coffee farm and face the industrial times that start to take over Brazil.

50 years of Brazilian history seen from the point of view of a friendship among two intellectuals.

During Carnival at the historic site of Pelourinho, we follow the lives of tenants in a run-down rental house who try to survive using creativity, irony, humor and music. This is an adaptation of the TV show, not the 2007 movie which inspired the TV show.

On the eve of her 65th birthday, Dolores has a premonition: her life is about to change. She will own a successful casino. However, her gambling addiction of the past may work against her. Deborah, her only daughter, waits for her boyfriend's release from prison to start a new life, whilst her granddaughter Duda clings to a chance of working in the United States. All three women will strive to make their dreams of a better life a reality, going for it all or nothing.

In São Paulo, Brazil, the lonely 40-something guitar teacher Baby lives a tedious life in a low middle-class apartment. She is addicted to her only companions: cigarettes. Baby has a constant conflict with her two sisters, over a couch she inherited from their deceased aunt. When Max, a restaurant musician, moves to the next door apartment, Baby has a crush on him and sees a chance to have a life again. Soon they start having a love affair, and Baby decides to quit smoking. However, her abstinence will be tough to deal with, when she notices Max still misses his ex-wife.

Veronica, a young woman, lives in Recife, one of the most violent cities in Brazil. Her life is filled with fleeting love affairs and passing romances. As her father feels his death approaching, he asks a favor: that she finds true love before he passes away.

Clarisse notices a small green leaf growing out of her right arm.

After her husband loses his job, Helena opens her own grocery store. Soon, increasingly strange events begin to plague her store, making her question her sanity.

During the Carnival in the historical site of Pelourinho, Salvador da Bahia, we follow the lives of the tenants of a falling-to-pieces tenement house who try to get by using creativity, irony, humor, and music.

Over the years, the monthly meetings of the Stew Club – a fraternity that has gathered seven long-time friends for decades – has gone from rituals of power to melancholic failure assemblies. The end would be its only worthy fate. Until a mysterious cook appears, and starts serving them magnificent feasts. The bonds of friendship are back, gluttony as a celebration of life. But there is a catch: after each dinner, a member of the brotherhood is found dead the next morning.

Person is a documentary about the life and work of filmmaker Luiz Sérgio Person. The documentary brings the reconstruction of the history of the São Paulo filmmaker through the personal journey of his daughter, Marina. Through interviews with friends, family, and people who worked with Person, she seeks to discover more than dates and biographical data.

Brazil 1821. Upon his return to the imposing farmhouse, Antonio, a rich cattle herder, finds out that his wife dies in labor. Forced to live in the property with numerous African slaves, he marries his wife's niece. A restless soul, he returns to droving, leaving his young wife behind alone with the slaves.

Aurélia is a young black woman who works at a factory and lives in a working-class neighborhood in São Paulo, whose boyfriend Fábio gets involved with a racist neo-nazi group.

Brazil in the early 70s. Miguel, Eloi, Osvaldo and Paolo take part in armed attacks against the military dictatorship. They pay a heavy price with torture and arrest. Today the four friends still see each other. Only Miguel is politically active. On a photograph from a political meeting in Sao Paolo he recognises the policeman who tortured them 25 years ago and who was responsible for the death of Miguel's girlfriend. The policeman has been officially dead for a few years. On one of their fishing trips together, Miguel tells his friends of his discovery. When they hunt down and confront their nemesis they come into conflict with both themselves and each other.