Eureka Pictures

The setting is Camp Firewood, the year 1981. It's the last day before everyone goes back to the real world, but there's still a summer's worth of unfinished business to resolve. At the center of the action is camp director Beth, who struggles to keep order while she falls in love with the local astrophysics professor. He is busy trying to save the camp from a deadly piece of NASA's Skylab which is hurtling toward earth. All that, plus: a dangerous waterfall rescue, love triangles, misfits, cool kids, and talking vegetable cans. The questions will all be resolved, of course, at the big talent show at the end of the day.

Vic is a struggling auto mechanic with a safe-cracking past and a lot of debt. His girlfriend runs a bar and offers to loan him the money she's saved for remodeling, but Vic is reluctant to take it. When a long-lost cousin from Ireland shows up on his doorstep, the two team up for one last heist.

When a New England dysfunctional family gathers for Thanksgiving, past demons reveal themselves as one son returns for the first time in three years.

When shy, straitlaced George meets vivacious, adorable Alicia, he's instantly smitten -- which puts his imminent arranged marriage in jeopardy. He vows to do the right thing, but then he falls in with Gerard, a lovesick, voluble Frenchman who overcomes George's sense of propriety and takes him on a meandering road trip to amour.

After hitting the road a man encounters characters that make him realize the importance of family.

She's Kathy, a comix cartoonist; he's David, teaching English to new immigrants. It's New York City, with 29 shopping days left until Christmas, and they're in love. Or are they? Their romance has been on-again, off-again because David can't bring himself to say, "I love you." He can say it in French, Russian, Japanese, Chinese, but not English. So, when she learns at an inopportune time that he's applied for a job in Ho Chi Minh City, she asks for breathing room until Christmas; the film chronicles the ensuing days of restless indecision.

Third-rate doo-wop singers making a comeback hook up with a campy manager who books them to perform in drag.