Kuntilanak (English title: "The Chanting") is a 2006 Indonesian horror film directed by Rizal Mantovani, about a ghost type in Indonesian (and wider Malay) folklore. In this movie, a student whose step-father molested her moves to a boarding house in a haunted area, this is followed by a series of killings. The film is followed by two more sequels, Kuntilanak 2 and Kuntilanak 3, setting up a trilogy with Mantovani returning as director. Kuntilanak 2, which was released on 2007 and follows Sam as she struggles to maintain her sanity due to the wangsit of Kuntilanak while being hunted by remnants of the Mangkoedjiwo sect. The final film, Kuntilanak 3, was released on 2008. It follows Sam accompanied by a rescue group in tracking the origins of the wangsit of Kuntilanak on a remote forest highlands, hoping to destroy it once and for all.
A young college student moves to a new boarding house in a very haunted area.
Sam, or Samantha, has recently moved out from her old, haunted boarding house, escaping from followers of Mangkoedjiwo Sect who seek revenge over the death of Sri Sukmarahimi Mangkodjiwo. Her traumatic boyfriend, Agung, is looking for her. Sam sets herself apart in a new foster family to deal with her own dark side. The menace within her is raised stronger and stronger as she cannot stop herself from chanting the cursed chant to bring deadly punishments to people around her. Agung has to find her, and bring her back to pure conscience before the chant and her own dark side take over her life completely.
A group of youngsters is on a mission to Ujung Sedo, to find their missing friends in a haunting jungle. Along the way, they met Samantha who's in a personal mission to the a mystical village. They went across the dark woods, a deafening fog, and a deadly cave where strange events followed them. Every twist is connected to Samantha who has a wicked curse to summon a she-devil called Kuntilanak. The old witch who lives in the village may be the only one who can stop the curse. But, that's not her plan at all.
