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  1. Movies
  2. Songs of the Earth

Songs of the Earth

Collection
6 Movies
1985 - 2010

Experimental film series by Klaus Wyborny

Movies in this Collection

Sorted by:
Release Date (Ascending)
1
Grace, Things (Song of the Earth Part 5)

Grace, Things (Song of the Earth Part 5)

Apr 11, 1985

The fifth of five parts of Klaus Wyborny's "Lieder der Erde" / "Song of the Earth" cycle of films, whose theme is "the emergence of modern European civilization." The series comprises five large parts, which are in turn divided into various selections or short films.

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2
At the Edge of Darkness (Song of the Earth Part 1)

At the Edge of Darkness (Song of the Earth Part 1)

Jul 11, 1985

This is the first of five parts of Klaus Wyborny's "Lieder der Erde" / "Song of the Earth" cycle of films, whose theme is "the emergence of modern European civilization."

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3
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Abandoned; Lost; Lonely, Cold (Song of the Earth Part 3)

Jan 1, 1992

Third part of a cycle of five films titled SONGS OF THE EARTH, whose theme is the emergence of European civilization.

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4
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From the Age of Recklessness (Song of the Earth Part 4)

Jan 1, 1994

The fourth of five parts of Klaus Wyborny's "Lieder der Erde" / "Song of the Earth" cycle of films, whose theme is "the emergence of modern European civilization." The series comprises five large parts, which are in turn divided into various selections or short films.

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5
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Another World (Song of the Earth Part 2)

Jan 1, 2004

The second of five parts of Klaus Wyborny's "Lieder der Erde" / "Song of the Earth" cycle of films, whose theme is "the emergence of modern European civilization." The series comprises five large parts, which are in turn divided into various selections or short films.

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6
Studies for the Decay of the West

Studies for the Decay of the West

Oct 1, 2010

Wyborny’s latest flicker film concentrates on factories, industrial wastelands, waterways, cityscapes, and the bits in between, and has an uncanny emotional resonance. It is “serene, in the manner of ants”—to quote the title of the second section—but it is also elegiac and melancholy. Like two other old cranks (Godard and Straub), the director stays true to ideas about filmic composition gestated over many years and thereby provides a glimpse of a utopian cinema.

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