© 2026 The Couch Critic
The awkward humor of workplace sitcoms, the histrionics of melodrama, and the most stimulating avant-garde experimentation combine with boundless inventiveness in this unclassifiable franchise by Argentina's Lucía Seles. Focusing on the owner and employees of a tennis complex on the outskirts of Buenos Aires, this delirious series ignores both the sport and the management of the venue.
The maximum nonsense of life plays with the feelings of the owner and the employees of a tennis complex.
The ultimate nonsense of life itself plays with the feelings of the owner and employees of a tennis complex, in an anarchic melodrama out of all norms, including spelling.
The final match of the "tennis trilogy" sharpens the humor to the maximum and unleashes all the dramas -some of them, even beaten to death- between the owner and the employees of the complex, with strange melancholic notes and new characters that join the ordeal in its last station.
A woman who suffered a serious incident with a violent tennis player -in other video of herself- now dates a shy, insecure jazz musician from Ramos Mejía, but she feels stronger and more glad with everything.
Because podcasts have a limit, a person who loves his mother + his father would want to make ice or steel or else have a cemetery so that his mother does not suffer for anyone.