The Couch Critic Logo
The Couch CriticCouch Critic
TrendingMoviesTV ShowsListsReviewsWhat to Watch
LogoThe Couch Critic

Menu

TrendingMoviesTV ShowsListsReviewsWhat to Watch

© 2026 The Couch Critic

The Couch Critic Logo

The Couch Critic

Your go-to destination for honest movie and TV show reviews from a passionate community of critics. Join the conversation today.

X

Explore

  • Trending
  • Movies
  • TV Shows
  • Reviews
  • Lists
  • Games
  • About Us

Categories

  • Popular Movies
  • Trending Now
  • Upcoming
  • Airing Today
  • Movie Genres
  • TV Genres

Community

  • Guides
  • What to Watch

Legal

  • Privacy Policy
  • Terms of Service
  • Cookie Policy
  • RSS Feed
© 2026 The Couch Critic.•Built by Hayden Thorn
Cookie Settings
The Movie Database

This application uses TMDB and the TMDB APIs but is not endorsed, certified, or otherwise approved by TMDB.

Im Kwon-taek Project Collection
No Poster
  1. Movies
  2. Im Kwon-taek Project Collection

Im Kwon-taek Project Collection

Collection
2 Movies
2019

Movies in this Collection

Sorted by:
Release Date (Ascending)
1
Gravity of the Tea

Gravity of the Tea

Nov 28, 2019

IM Kwon-taek is a Korean film-maker. He was born in 1934 when his country was under Japanese occupation. When Korean War was over his parents became North Korean partisan, and he ran away from home. He’s made 101 films since he made his debut in 1962 with Farewell Doman River. He tasted the glory at Cannes Int’l Film Festival with Chiwhasun. However making the 102nd film seems harder than ever to this 80-year-old director. His 2 projects have been suspended. He still can’t find chance to make his 102nd film, but spends daily routine free from film-making. This is a recording of years that the film-maker spends without making a film.

View Details
2
Cloud, Encore

Cloud, Encore

Dec 26, 2019

At 6:00 in the morning on the 1st day of January in 2013 80-year-old film-maker IM Kwon-taek started shooting his 102nd film, after his unintentional 5 years’ break. I visited the shooting scene with my camera and had stayed there until the end of that year. I’ve always wanted to record IM’s shooting scene, as I believed that there we could find his secret manual which reflects the master’s large experience. I’ve been through heavy snow to witness funeral scene. I’ve also been to the west coast to follow funeral cortege in the film. It was an experience to put the life in the frame alongside with the death. When the next spring came, the shooting finally ended.

View Details