The Book of All the Dead, R. Bruce Elder's 42-hour-long first cycle, gathers films he made between 1975 and 1994.
Video transformations of documentary footage of a woman giving birth, assisted by members of a religious commune. Isolation confronts the communal, the gruesome confronts the holy in this most mysterious of events.
"evokes absence through elliptical continuity and loneliness through the repetition of ... archetypal images" Ian Birnie
A close container for chance elements. Together with She Is Away, makes apparent some features of the material form of which the entire cycle would be composed.
The optical manipulation of tone, shape, line and movement creates a purely cinematic choreography.
"a revelation of the editing process ... done with remarkable care and precision ... The interrelationship between moving body and moving camera is heightened to the intensity of a struggle." Joyce Nelson
A compelling and revealing exploration of one person's psyche in crisis.... The film is a screen diary of a man in his early 30s afflicted with a life-threatening disease, a man confronting his own mortality.
Inspired by remarks made by Freud, "Eros nowhere makes its intentions more clear than in the desire to make two things one." and by Nietzsche, "What must these people have suffered to have become this beautiful."
This film is an act of celebration ... He produces -- with light and colour, sound, stillness and movement -- the ineluctable rhythm and energy of the natural world.
"Breathtaking in its techniques, rhapsodic in its passion, and encyclopedic in its scope, the film traces the long fall from paradise into modern barbarism." - Art Gallery of Ontario
Like Ezekiel's vision in the valley of the dry bones, a typos of a new beginning. In among all the feelings of loss and deprivation there occur intimations of final culbute général, of the dissolution of time, of a now that vanishes between the no long and the not yet.
"Elder's most philosophical film ... subtly woven connections ... proceed under a contemplative regime" that "solicits the memories of the whole cycle in more delicate ways." Bart Testa
"Elder's most philosophical film ... subtly woven connections ... proceed under a contemplative regime" that "solicits the memories of the whole cycle in more delicate ways." Bart Testa
"Elder's most philosophical film ... subtly woven connections ... proceed under a contemplative regime" that "solicits the memories of the whole cycle in more delicate ways." Bart Testa
"A beatific vision of the imaginary landscape of paradise, inspired by the poetry of ... Blake." Pacific Cinematheque
Newton was the greatest of all the natural magicians, learned in matters musical, theological and in Apocalyptic literature. He believed bodies were composed of "certain aetheral spirits or vapours"; one ... is the ether, "the succus nutritius of the earth, or primary substance"; the second substance disseminated through the first, is light.
"Inspired by the poems of Rainer Maria Rilke, Louis Zukofsky and Ezra Pound ... Elder's latest film .. is a visually lush collage," and "ironic attempt to construct a Divine Comedy for modern times." Jim Shedden
The titular film of region three of Elder's Book of All the Dead
The confrontation with death and finitude....Death animates the sense of the intimacy of life whose measureless flow is a danger to the stability of things. (RBE)
"Behold, I show you a mystery. Not everyone shall sleep, but everyone shall be changed."
