How to Make It in America

Mama's Boy is an American sitcom television series that aired from September 19, 1987 until August 6, 1988.

Louie De Palma is a cantankerous, acerbic taxi dispatcher in New York City. He tries to maintain order over a collection of varied and strange characters who drive for him. As he bullies and insults them from the safety of his “cage,” they form a special bond among themselves, becoming friends and supporting each other through the inevitable trials and tribulations of life.

Relativity follows a twenty-something couple and the lives and loves of their friends and siblings in Los Angeles.

Jim (The Head) is an animated mutant super-hero with an insanely large cranium. A freak encounter left him with a problem. A big one: he's got an alien named Roy living inside his oversized dome.

The continuing adventures of paranormal investigators Dr. Peter Venkman, Dr. Egon Spengler, Dr. Ray Stantz, Winston Zeddemore, their secretary Janine Melnitz and their mascot ghost Slimer.

The Loop is an American sitcom that ran from March 15, 2006 to July 1, 2007 on Fox. The show starred Bret Harrison as Sam Sullivan, a young professional trying to balance the needs of his social life with the pressures of working at the corporate headquarters of TransAlliance Airways, a major U.S. airline. Set in the city of Chicago, whose downtown loop area acted as the setting for most of the show. The show's theme song is "Hockey Monkey" by James Kochalka Superstar and the Zambonis.

The Beat delves into the personal and professional lives of two young police recruits who patrol New York's streets. The city's daily machinations are seen through the often bloodshot eyes of Officers Mike Dorigan and Zane Marinelli, two youthful, irreverent partners who are truly products of their generation and unique urban environment. Issues of race, excessive police force – and the unpredictable quirkiness of New York's outspoken locals – compel both men to rely on their sense of humor just to make it to the end of their shift.

Fran, fresh out of her job as a bridal consultant in her boyfriend’s shop, first appears on the doorstep of Broadway producer Maxwell Sheffield peddling cosmetics, and quickly stumbled upon the opportunity to become The Nanny for his three children. But soon Fran, with her offbeat nurturing and no-nonsense honesty, touches Maxwell as well as the kids.