An older, future version of Astrodude's son travels back or intervenes to try and stop Astrodude from going missing on his next major space mission.
The quiet lives of elderly residents in a small fishing village are turned upside down when the Health Department announces that exposure to the chemical P172 triggers a dramatic surge in libido. Amid the panic and awkwardness, the villagers must navigate their suddenly chaotic relationships, reawakened by newfound passion.
Edhi Alice: TAKE begins from the perspective of Alice, a gaffer pushed out of the field, as she confronts her own body, and transitions into the journey of another protagonist, Edhi, who discovers a new sense of embodiment. The narrative of transition expands beyond a personal life story to encompass relationships, bodily experiences, and the sense of space, becoming a cinematic transformation.
The ninth installment in the Maddock Supernatural Cinematic Universe. Plot TBA.
In 1960s suburbia, Barney Amberson finds meaning through the ordinary rituals of family life with the department store mannequins he calls his own.
An Iranian actress living in Istanbul tries to reach her mother in Iran during the recent events in Iran, marked by conflict, political tensions, and internet shutdowns. As communication lines collapse, she finds herself trapped between fear, uncertainty, and the painful distance separating her from the person she loves most. A personal journey about family, borders, and the universal human need to be heard.
Kelly lives with heroin addiction in the South Bronx, where she also works at a harm reduction clinic - handing out clean needles, administering Narcan, cleaning blood spots from the floors. Shot over five years by a single filmmaker embedded within her world, Be Still, My Soul observes her daily life through a restrained, immersive form: no narration, no explanation, a score that moves alongside her inner world.
The feature directorial debut of Jiang Wenjie, cinematographer and editor of Keep Rolling, explores the inner lives of three female Hong Kong writers: Hon Lai-chu, Lee Wai-yi, and Human Ip. Though their styles and thematic concerns differ considerably, the film shows that their literary works are all informed by their immediate surroundings, whether that be a childhood home, the streets of Sham Shui Po, or the cattle and woods near Lai Chi Wo village. Time may inevitably erode everything in this city, but these writers continue to tell their hometown's stories in their own unique ways.
This film explores the complex body of work by Rebecca Horn, whose kinetic objects, installations, and films expanded the concept of art in the 20th century. Her work paved the way for future generations of artists. Director Claudia Müller explores Horn’s work within the context of her time and examines its significance in the present day.
A Chinese girl is passed between three families from the age of 6 to 18, receiving each time a new name and identity. As she searches for belonging and the possibility of love, she has to navigate between the weight of her past and the uncertainty of her future, until she finds her own way.
On the outskirts of São Paulo city, a train cuts through an indigenous territory. Within this territory, Jera dreams, and in her dreams the city invades her village. In the same community, Rete, an animal that can move through different dimensions, remembers the history of an ancient river, swallowed by the city centuries ago.
Huang Yan, a terminally ill crematorium worker, accidentally mixed up two sets of ashes during her work. When she confessed the truth, neither family wanted to swap them back. Only Yao Xue, the daughter of one of the deceased, believed Huang Yan. The two embarked on a wild and absurd journey to return the ashes, where they came to understand life anew and chose to live bravely in the face of death.
