A woman watches television.

A Target employee facing layoffs grows frustrated while trying to lead a focus group of insufferable Gen Z.

Hosted by Jeremy Fernandez and Megan Burslem, this concert showcases why the Australian Chamber Orchestra is one of the most distinct, inventive and renowned ensembles on the world stage today.

Nari Monchan, from a secluded tribe, grapples with dwindling female presence, possessiveness in marriage, and revelations about his father that unravel his beliefs. As he confronts ancestral traditions and the legacy of the Indian Emergency, his journey becomes a search for identity, shaped by personal fears and buried truths. The film explores the fragile balance between tradition, desire, and self-discovery. This is the first film in Cholanaikka language spoken by the eponymous cave people.

Idak-Idak-Idak is a hybrid-documentary relating the stolen Lombok Treasures with the Sasak diaspora through three generations of women: a daughter, her mother, and her grandmother. Blending full-spectrum cinematography with personal footage, this film moves between Indonesia and the Netherlands to examine colonial legacies, displacement and healing the heart of home. In Sasak, "Idak" can be interpreted as both “heart” and “absence”, becoming a container for memory, loss, and the unseen layers of the self between generations.

Dream and deficiency, a letter without recipient.

A boy tries to apologize to his friend who doesn't seem to be taking apologies.

Jamie Cullum returns to the Royal Albert Hall to play his festive perennial record “The Pianoman at Christmas.” Joined on stage by the big band including the talents of Kansas Smitty’s House Band featuring the Mercury-nominated Joe Webb, Jamie Cullum's show delivers a festive, fun and furious set with all the trimmings. Fans can expect unique collaborations and to be taken on a journey from the romantic, solo piano ballads of "Beautiful Together" and "Christmas Don’t Let Me Down" to the instant classics "Hang Your Lights" and "It’s Christmas."

When a dog sitter loses the dog she’s looking after, her attempts to fix things only unravel more chaos.

A man ventures across the rugged Snowdonia landscape to share a warm moment with his artist mother.

Every Sunday night a young man buries a "cervelat" in the woods. At the same time, people in the nearby small town start to disappear.

In Lagos, two paths cross for a fleeting moment that could mean nothing—or everything.

According to family legend, the name Hrušínský was born after Rudolf and Jan Hrušínský's grandfather Rudolf Böhm was caught stealing pears on a theater stage. The German name Böhm suddenly became Hruškovský and shortly after that Hrušínský. Grandfather Rudolf, later known as Rudolf Hrušínský the eldest, adopted the surname as his own and began using it in 1935. However, the history of the Hrušínský acting family goes back much further. It is therefore not surprising that the brothers Rudolf and Jan also took the same path. The documentary charts their acting beginnings alongside their father Rudolf Hrušínský Sr., from their first roles, through theater engagements at the Drama Studio in Ústí nad Labem and the Drama Club in Prague, to unforgettable film and television roles, when three generations of Hrušínskýs often met in front of the camera.

Left heartbroken, he battles memories that refuse to die and becomes the man the pain creates.

A poetic animation exploring inner struggle and liberation. The protagonist is initially trapped by oppressive green threads, leading her body and spirit to dissolve. Drawing strength from a mysterious pink world, she reclaims her freedom and breaks her bonds. The film uses movement and the blending of green and pink palettes to create a radiant new harmony—a story of resilience and beautiful self-discovery.