Father's Week-End

Goofy, driving through Mexico, deals with a stubborn bull on the road who eventually charges, and Goofy unwittingly subdues the bull. Mexicans who are watching the scene believe that Goofy is "the great Matador" and the minute Goofy arrives in Mexico City, they dress him like a matador and make him do battle with another bull. The reluctant Goofy tries to escape the enormous bull although after a while, once again, he triumphs over the bull by accident.

Goofy learns the basics of ballroom dancing.

Goofy takes a lighthearted look at self defense through the ages: cavemen, knights, the age of chivalry, and finally boxing.

San Francisco filmmaker Konrad Steiner took 12 years to complete a montage cycle set to the late Leslie Scalapino’s most celebrated poem, way—a sprawling book-length odyssey of shardlike urban impressions, fraught with obliquely felt social and sexual tensions. Six stylistically distinctive films for each section of way, using sources ranging from Kodachrome footage of sun-kissed S.F. street scenes to internet clips of the Iraq war to a fragmented Fred Astaire dance number.

I was somewhere between the beggining and the end of life. After winter became spring, and summer became fall, and fall winter again. I always knew change would be constant.

A worn-out, aging shearer who once rained king of the high country, gets on the gear to keep up his numbers. But when the drugs take over he must learn what it really means to be a man, before he loses so much more than his country pride -- MAN.

On his journey towards becoming a film director, Cole discovers an insight that flips his perspective on his way of living.

A documentary crew investigates the stagnating life of the unemployed in a former mining town in Wales.