Robbie Williams Rocks Big Ben Live

Bananarama are the girl group with more chart entries than any other in the world, and now they are getting the ‘at the BBC’ treatment with this collection of performances from the BBC archives, featuring many of the 25 Top 40 singles they released over their career. It’s a selection that covers those early days when Fun Boy Three first introduced pop fans to the original line-up of Keren Woodward, Sara Dallin and Siobhan Fahey, as well as the end of the 1980s when Siobhan left and was replaced by Jacquie O’Sullivan. We also bring things right up to date and feature the band’s current status as a duo, with Sara and Keren keeping the flame alive. Over all those years, Bananarama have never claimed to be the greatest singers or dancers, but together they somehow still created pop magic – so fans, settle back and witness how their durability proves beyond doubt that It Ain’t What You Do, it’s the Way That You Do It.

Documentary about Ajax Amsterdam in 1968.

Mexico does not have the necessary social and governmental support for those who study arts, specifically music. With the help of two saxophonists we enter the life of musicians in Mexico, as well as discover the reason why they decided to study these careers, something that would seem a daring on their part, but perhaps it is what is needed in Mexico

After being fired, Marcella, a gentle hearted mother going through separation, buys a tow truck; she gets trapped deeper and deeper in a cynical and aggressive world until a terrible opportunity shines in front of her.

In the dressing room of the French cinema, minutes before attending a lecture, François Truffaut recalls his trajectory

Mostly shot in San Francisco and Northern California, material filmed (using the camera almost as a p[r/a]inter, a means of shaping the visual world as film, but without reflection) in response to what that world was opening in me. "Material!" - analogies between weaving and spinning thread and images already a pattern within film history (e.g., in Deren) is here carried into further ramifications of unraveling and patterning in fabric- and cinema-making, as well as in personal and mythic dimensions. The open unfolding structure, which pulls away from the balanced design of much of my work, gives equal weight to the sound composition. Involves "opening" with its perils and ambiguities.