Friends in Porn

The execution was scheduled and the last meal consumed. The coolness of the poisons entering the blood system slowed the heart rate and sent him on the way to Judgement. He had paid for his crime with years on Death Row waiting for this moment and now he would pay for them again as the judgment continued..

A frightening creature from unknown depths rises to attack a lone teenager.

Subramaniam, a lawyer is married to Kokila and has a daughter. Things go well until he meets Kamini, a movie star in a party. He gets attracted towards Kamini and becomes ready to sacrifice his own family for her. Kokila's efforts in bringing back her husband forms the rest of the story.

“Remembering RBG: A Nation Ugly Cries with Desi Lydic” follows Lydic on a journey through the five stages of grief—denial, anger, bargaining, depression, and… what's the opposite of the acceptance? —as she comes to terms with the passing of the late Ruth Bader Ginsburg and where to go from here.

Adithya Varma, his wife Subhadra and daughter Kaveri live in the same compound where Sasi and his wife Parvathy lives. Sasi and Parvathi go to the office along with Varma. Kuttan Pillai, a gossip manager, does not like their relationship. He tries to drive a wedge between Varma and Sasi families. Varma asks his advocate to look for a man for his company. Advocate recommends Jayan, son of his friend for the job. Jayan is appointed in the company. Kuttan Pillai tells Varma's wife that it was not fair for Varma to go with Sasi and Parvathi. One day Parvathi come late from the office. A quarrel takes place between her and her husband on this account.

A Lloyd Hamilton slapstick comedy directed by Charley Chase.

Documentary that outlines the 1990s and the decade the changed the world.

The strict quarantine in the spring of 2020 reduced the living space of hundreds of millions of people down to just a few square meters. The horizon was limited to the view from the window, boredom permeated the days, and an endless stream of catastrophic rumors emanated from the radio and television. Against the backdrop of his own mental and physical discomfort, the director begins to shoot a video diary. The similarly non-existent static camera records existential monologues as well as activities serving basic bodily needs. This philosophical essay is woven from reflections on the coming transformation of the world and the images that try to capture it.