Sveriges Radio

Set at the start of the twentieth century, the movie deals with the orphaned boy Álfgrímur, his adoptive grandparents, and the small, tolerant community of misfits and eccentrics they gather around them at Brekkukot, their cottage in Reykjavík. As Álfgrímur begins to encounter the minor politicians, businessmen and social-climbers of the growing town of Reykjavík he starts to question his future as a fisherman's grandson, and is increasingly fascinated by Garðar Hólm, the celebrated Icelandic "world singer" whose sporadic returns to Iceland encourage Álfgrímur to pursue his own personal goals of self-expression. He discovers the true value of his boyhood experiences only as he sets out on a path that will take him away from them forever.

Structured as six interconnected episodes, Rabies depicts cruelty as a contagious force: each character, wounded or humiliated, passes that violence on to another. Filmed for Swedish television, Ingmar Bergman’s adaptation of Olle Hedberg’s morality play presents human behavior as a relentless chain of transferred suffering.

The story of a big party during which Jacques Tati brings together audience members, performers, clowns, children, and himself.

The Queen of the Night enlists a handsome prince named Tamino to rescue her beautiful kidnapped daughter, Princess Pamina, in this screen adaptation of the beloved Mozart opera. Aided by the lovelorn bird hunter Papageno and a magical flute that holds the power to change the hearts of men, young Tamino embarks on a quest for true love, leading to the evil Sarastro's temple where Pamina is held captive.

Edvard Munch's childhood is overshadowed by death: he suffers the loss of his sister and mother, while enduring serious illness himself, almost dying. At university, Munch discovers his talent as a painter. As he immerses himself in the art world, he becomes part of a cultural revolution led by the likes of nihilist Hans Jæger.

Photographer Maria meets up with Ann, the wife of her lover Jim. Since Jim is in jail, the women fight over him in his absence.

A young woman faces an arranged marriage imposed by her aunts as the hour of her suitor’s arrival approaches. Adapted for television from Hjalmar Bergman’s one-act play, the film uses intimate staging and close observation to explore coercion and quiet despair.

Holidays on the swedish east coast. Invading summer guests collide with the locals, all without inhibitions. The formerly so radical Social Democratic municipal councilor has completely lost his visions and fully accepts that the area is transformed into a tourist resort for the rich.

"Porträtt av Åsa" observes the everyday life of Åsa, a young child growing up in rural Sweden. Through quiet, observational scenes at home and on brief excursions with her parents, the film records her encounters with ordinary spaces, objects, animals, and movement, capturing the world as it appears to her at an early age.

The year is 1961 and Ingmar Bergman is making a movie. While planted on the scene as apprentice to Bergman, Vilgot Sjöman (director, I Am Curious–Yellow, 1967), suggests to Swedish Television that they take the opportunity to record with the acclaimed director. In August, Sjöman and the television crew begin to capture what would become a comprehensive five-part documentary on the making of Winter Light, offering views of script development, set construction and lighting, rehearsals and editing, as well as intimate conversations with Bergman and members of his cast and crew. Footage from the film’s Swedish premiere delivers immediate audience reactions and the critics’ reviews the following day.

The White Rose (Kalle, Eva-Lotta and Anders) and the Red Rose (Sixten, Benka and Jonte) gangs are battling for a magical stone. The rest of the time Kalle is bored. That is why Kalle and his friends play pranks on Kalles aunts Hilda and Hulda. While Hulda is laughing, Hilda is very angry and calls the police, but Kalle is able to escape. Only a few time later Hilda is kidnapped and the kidnappers want a lot of money. The gangs of the White and Red Rose are now working together to find the kidnappers.

A well-composed psychological dance drama of a completely different kind from the usual romantic and sometimes superficial ballets. And an intrusive interpretation of August Strindberg's play.

Somewhere sits two men, Vladimir and Estragon, waiting for a man named Godot. Internationally acclaimed Swedish TV dramatized version of the classic stage play.

In the fall of 1967, intermedia artists Ture Sjölander and Lars Weck collaborated with Bengt Modin, video engineer of the Swedish Broadcasting Corporation in Stockholm, to produce an experimental program called Monument. It was broadcast in January, 1968, and subsequently has been seen throughout Europe, Asia, and the United States. Apart from the technical aspect of the project, their intention was to develop a widened consciousness of the communi - cative process inherent in visual images. They selected as source material the "monuments" of world culture— images of famous persons and paintings.

Doctor Henck is having bad day, and borrows a fur from a friend. It gives him new confidence, and his day immediately gets better. Hjalmar Söderberg's rejected 1911 movie script, filmed in 1966 for TV as a silent film with a piano soundtrack, to match the time in which it was written for.

In a barren, snowy Lapland landscape a man in a reindeer sled escorts a shaman's corpse to its final resting place. In the pale moonlight the fear is starting to take over, since something has awakened the shaman.

A tragicomic story about rural extinction and the meeting between the local shoemaker Gustafsson and Pettersson from Stockholm.

Five women decompress and discuss their 20-year class reunion that they've just returned from.

Depicts the explosive relationship between August Strindberg and Siri von Essen in 1889 while Siri is rehearsing a lead role in a play written by Strindberg.

The Iranian revolution leads to the Shah’s downfall and installation of the Islamic Republic. Avoiding the more sensational elements of the news this film questions Iranian society as a whole to try to understand what this wave of change means for the Muslim world.