Sveriges Radio

The Queen of the Night enlists a handsome prince named Tamino to rescue her beautiful kidnapped daughter, Princess Pamina, in this screen adaptation of the beloved Mozart opera. Aided by the lovelorn bird hunter Papageno and a magical flute that holds the power to change the hearts of men, young Tamino embarks on a quest for true love, leading to the evil Sarastro's temple where Pamina is held captive.

Structured as six interconnected episodes, Rabies depicts cruelty as a contagious force: each character, wounded or humiliated, passes that violence on to another. Filmed for Swedish television, Ingmar Bergman’s adaptation of Olle Hedberg’s morality play presents human behavior as a relentless chain of transferred suffering.

A young woman faces an arranged marriage imposed by her aunts as the hour of her suitor’s arrival approaches. Adapted for television from Hjalmar Bergman’s one-act play, the film uses intimate staging and close observation to explore coercion and quiet despair.

Edvard Munch's childhood is overshadowed by death: he suffers the loss of his sister and mother, while enduring serious illness himself, almost dying. At university, Munch discovers his talent as a painter. As he immerses himself in the art world, he becomes part of a cultural revolution led by the likes of nihilist Hans Jæger.

For his final film, Jacques Tati takes his camera to the circus, where the director himself serves as master of ceremonies. Though it features many spectacles, including clowns, jugglers, acrobats, contortionists, and more, Parade also focuses on the spectators, making this stripped-down work a testament to the communion between audience and entertainment.

A tragicomic story about rural extinction and the meeting between the local shoemaker Gustafsson and Pettersson from Stockholm.

The taxi driver Martin Bendix is questioned when the police is investigating the murder of 17-year-old Anni Larsson.

"Fear" - An everyday thriller in four parts. The action takes place in an idyllic residential neighborhood where the good neighbors do not always turn out to be so good. The peaceful life is interrupted by a brutal and inexplicable murder.

Sweden 1958. In a small provincial town there is a band who plays dance music twice every week. All decisions are made by Sven Klang, the undisputed leader of the band. A new member joins them, saxophone player Lasse. He starts to criticize Sven's decisions, questions the way they divide the money and he also wants them to be more of a jazz band.

This quintessential Chekhov drama--his first success--is both comic and tragic. A group of friends and relations gather at a country estate to see the first performance of an experimental play written and staged by the young man of the house, Konstantin, an aspiring writer who dreams of bringing new forms to the theatre.

An elderly gentleman lives alone in a well-appointed residential building, spending his days in habitual routines with neighbors and family. When his former wife—who left years earlier with their child—moves into the apartment above him, long-suppressed tensions resurface, leading to a series of charged encounters.

In the fall of 1967, intermedia artists Ture Sjölander and Lars Weck collaborated with Bengt Modin, video engineer of the Swedish Broadcasting Corporation in Stockholm, to produce an experimental program called Monument. It was broadcast in January, 1968, and subsequently has been seen throughout Europe, Asia, and the United States. Apart from the technical aspect of the project, their intention was to develop a widened consciousness of the communi - cative process inherent in visual images. They selected as source material the "monuments" of world culture— images of famous persons and paintings.

The Cavalry Captain and his brother, the Chaplain, discusses whether an adjutant is the father or not of the child one of the maids is expecting.

Fia is 18 years old, pregnant and has just moved with her boyfriend to their first apartment in a suburb. Alone she tries to navigate the society of adulthood for the first time.

Holidays on the swedish east coast. Invading summer guests collide with the locals, all without inhibitions. The formerly so radical Social Democratic municipal councilor has completely lost his visions and fully accepts that the area is transformed into a tourist resort for the rich.

The year is 1961 and Ingmar Bergman is making a movie. While planted on the scene as apprentice to Bergman, Vilgot Sjöman (director, I Am Curious–Yellow, 1967), suggests to Swedish Television that they take the opportunity to record with the acclaimed director. In August, Sjöman and the television crew begin to capture what would become a comprehensive five-part documentary on the making of Winter Light, offering views of script development, set construction and lighting, rehearsals and editing, as well as intimate conversations with Bergman and members of his cast and crew. Footage from the film’s Swedish premiere delivers immediate audience reactions and the critics’ reviews the following day.

The White Rose (Kalle, Eva-Lotta and Anders) and the Red Rose (Sixten, Benka and Jonte) gangs are battling for a magical stone. The rest of the time Kalle is bored. That is why Kalle and his friends play pranks on Kalles aunts Hilda and Hulda. While Hulda is laughing, Hilda is very angry and calls the police, but Kalle is able to escape. Only a few time later Hilda is kidnapped and the kidnappers want a lot of money. The gangs of the White and Red Rose are now working together to find the kidnappers.

A family in crisis during the holiday of Easter

A behind-the-scenes documentary about the filming of the Federico Fellini film, "Satyricon."

Photographer Maria meets up with Ann, the wife of her lover Jim. Since Jim is in jail, the women fight over him in his absence.