Instituto Nicaraguense de Cine (INCINE)

This movie is about the liberation by the Sandinistas of the Anastasio Somoza regime in NIcaragua. The movie covers some of te key points in the fight for León, a city close to the capital Managua, and the first liberated territory. Many of the inhabitants of León who participated in the guerrilla and members of the sandinista army participated in the film.

Alsino, a boy of 10 or 12, lives with his grandmother in a remote area of Nicaragua. He's engulfed in the war between rebels and government troops when a US advisor orders the army to open a staging area by the boy's hamlet. Alsino tries to be a child, climbing trees with a girl, looking through his grandfather's trunk of mementos and trying to fly; he goes to town to sell a saddle, has his first drink and is taken to a brothel. But the war surrounds him. The US advisor takes Alsino on a chopper flight, but he's unimpressed. The soldiers' cruelties awake rebel sympathies in Alsino, and after an army assault backfires, the lad is fully baptized into the conflict.

The Central American country of Guadiana has decided to embark on a new path of development. The US special services are trying to overthrow the revolutionary government of the republic. To do this, a secret test site has been built on the territory of the neighboring state of Santo Rico, which is used to control the so-called "climate weapons". These weapons cause hurricanes of tremendous force that hit Guadiana and destroy the country's economy. Soviet meteorologist Said Khodjaev arrives in Guadiana to investigate the causes of hurricanes. To prevent this, a sabotage group led by Colonel Bert enters the territory of the republic...

A poetic dissection of the role of women in post-revolutionary Nicaraguan society.

In this political thriller, Reynaldo, a young dancer from a resort area on Nicaragua's Caribbean coast, deserts his career to join his nation's fight against the American-backed Contras. Wartime footage is interspersed with dance scenes, including one notable break-dancing demonstration at a discotheque. Despite its heavy political theme, this Spanish-language war drama also features a romantic subplot.

History of a Committed Cinema is a primer for the Nicaraguan audience to what they are watching on the screen. A critique of Western & Hollywood cinema, it outlines the difficult technical, cinematic, and political tasks confronting INCINE (Instituto Nicaragüense de Cine) as it strives to build a native film industry.

A documentary on the role of the Catholic Church during the Sandinista revolution in Nicaragua, it shows clergy members serving as government officials, and parishioners who testify to the inspirational and unifying force of Christianity in the national reforms.