Mezhrabpomfilm

A young man travels to Mars in a rocket ship, where he leads a popular uprising against the ruling group with the support of Queen Aelita, who has fallen in love with him after watching him through a telescope.

In 1918 a young and simple Mongol herdsman and trapper is cheated out of a valuable fox fur by a European capitalist fur trader. Ostracized from the trading post, he escapes to the hills after brawling with the trader who cheated him. In 1920 he becomes a Soviet partisan, and helps the partisans fight for the Soviets against the occupying British army. However he is captured by the British when they try to requisition cattle from the herdsmen at the same time as the commandant meets with a reincarnated Grand Lama. After the trapper is shot, the army discovers an amulet that suggests he is a direct descendant of Genghis Khan. They find him still alive, so the army restores his health and plans to use him as the head of a puppet regime. The trapper is thus thrust into prominence as he is placed in charge of the puppet government. By the end, however, the "puppet" turns against his masters in an outburst of fury.

The central character of the play, Fedor Protasov, is tormented by the belief that his wife Liza has never really chosen between him and the more conventional Victor Karenin, a rival for her hand. He wants to kill himself, but doesn't have the nerve. Running away from his life, he first falls in with Gypsies, and into a sexual relationship with a Gypsy singer, Masha.

Life is short and full of oppression, but that doesn't mean Parasha can't find love and laughter when she leaves her country home to take a job as a maid in the overcrowded, overworked, and underpaid world in the big city.

Young hobos are taken to a new camp to become good Soviet citizens. This camp works without any guards, and it works well. But crooks kill one of the young people when they try to damage the newly built railroad to the camp.

The film is based on The Governor, a play by Leonid Andreyev. V.I. Kachalov plays the governor of a small Russian province who tries to treat the people under his authority with kindness and equanimity. But when a local factory goes on strike, the governor buckles under to pressure from the Tzar and orders the wholesale slaughter of the strikers. He pays for this betrayal of his trust with his life -- at the hands of a courageous Bolshevik spy.

History of theft and double crossing when two thieves fall out over the theft of the money of the proceeds of the sale of a house by a banker to a religious community.

Two men shipwrecked on an island in the Caspian Sea are saved by members of a collective farm, where they work on its fishing boats and woo the young woman leading the fishermen.

As a response to criticism for the allegedly excessive “mass appeal” of his earlier epic STORM OVER ASIA (1928), Vsevolod Pudovkin unleashed his flair for experimentation in what was supposed to be the director’s first sound feature. Everything went wrong: technical problems forced him to complete the film as a silent; viewers were baffled by the lack of a recognizable plot; then, the ideological climate of the Soviet Union changed. He was now being blamed for catering to bourgeois taste! Time has come to set the record straight. Here’s lyrical cinema at its best, deliberately operatic and yet intimate as it matches the characters’ inner life with the solemn rhythms of nature, and depicted through breathtaking black-and-white photography. A sensation at last year’s Pordenone fest, Pudovkin’s long-forgotten swan song to the art of montage is resurrected by Gabriel Thibaudeau’s emotionally charged live music performance. –PCU (USSR, 1930, 75m)

Naturally, the circus milieu of 2 Buldy 2 (1929) encourages stunts. A father and son, both clowns, are to perform together for the first time, but the civil war separates them, and the elder Buldy, tempted for a moment to acquiesce to the White forces, casts his lot with the revolution. At the climax Buldy Jr. escapes the Whites thanks to flashy trampoline and trapeze acrobatics; the gaping enemy soldiers forget to shoot.

A young Lyova travels with the hope of ascent from Czarist Russia to New York. Disappointed, he returns to the young Soviet Union and is glad to have found a simple work.

A supposedly ordinary woman’s personal triumph and tragedy is explored in Igor Savchenko’s 1936 Sluchainaya Vstrecha (Accidental Meeting). Irina – the best shock worker in a provincial children’s factory – develops a relationship with the newly arrived and charming physical culture instructor named Grisha. Soon we learn that Irina is pregnant. Disappointed and angry on hearing her news, Grisha asks her about what will now happen to all their dreams.

Ogudolova, unlike her sisters, refuses to obey her mother's wish that she marry a wealthy old man in order to collect a dowry

The film is based on real events and reveals the tragic episodes from the life of the Austrian biologist scientist-materialist Paul Kammerer (1880-1926), hunted by regressive scientists and Catholic reactionaries who committed suicide.

Soviet film based on Dostoevsky's autobiographical novel of his prison experiences in Tsarist days.

This documentary, made up of 3 episodes, is based on three songs sung by anonymous people in Soviet Russia about Vladimir Ilyich Lenin.

Directed by Aleksandr Razumnyj.

The priests, stock market officials, and police conspire to squeeze income out of pilgrims come to see relics of a Christ like figure. A pair of con men try to pass of a resurrected saint.

Not being able to implement his invention in his home country, engineer Arrowsmith, the author of the patent for ore flotation, goes to the USSR to work at one of the flotation plants, where he soon learns that a group of Soviet engineers is conducting similar work.